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Polyphony in literature is the consequence of a dialogic sense of truth in combination with the special authorial position that makes possible the realization of that sense on the page. [3] The dialogic sense of truth, as it manifests in Dostoevsky, is a radically different way of understanding the world to that of the monologic .
Bakhtin begins by identifying polyphony as the chief characteristic of Dostoevsky's work: "A plurality of independent and unmerged voices and consciousnesses, a genuine polyphony of fully valid voices..." [10] The discussion of polyphony and its incommensurability with the usual monological approach to writing and criticism is followed by an overview of the currently available scholarly ...
Polyphony (/ p ə ˈ l ɪ f ə n i / pə-LIF-ə-nee) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice or a texture with one dominant melodic voice accompanied by chords ().
Poetic devices are a form of literary device used in poetry. Poems are created out of poetic devices via a composite of: structural, grammatical, rhythmic, metrical, verbal, and visual elements. [1] They are essential tools that a poet uses to create rhythm, enhance a poem's meaning, or intensify a mood or feeling. [2]
Phonaesthetics (also spelled phonesthetics in North America) is the study of the beauty and pleasantness associated with the sounds of certain words or parts of words.The term was first used in this sense, perhaps by J. R. R. Tolkien, [1] during the mid-20th century and derives from Ancient Greek φωνή (phōnḗ) 'voice, sound' and αἰσθητική (aisthētikḗ) 'aesthetics'.
The term originates from the Latin punctus contra punctum meaning "point against point", i.e. "note against note". John Rahn describes counterpoint as follows: It is hard to write a beautiful song. It is harder to write several individually beautiful songs that, when sung simultaneously, sound as a more beautiful polyphonic whole.
Sound poetry is an artistic form bridging literary and musical composition, in which the phonetic aspects of human speech are foregrounded instead of more conventional semantic and syntactic values; "verse without words". By definition, sound poetry is intended primarily for performance.
Poetry, like music, appeals to the ear, an effect known as euphony or onomatopoeia, a device to represent a thing or action by a word that imitates sound. [4] "Speak again, Speak like rain" was how a poet of the Kikuyu people, an East African people, described her verse to author Isak Dinesen, [5] confirming a comment by T. S. Eliot that ...