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(Its name later changed when J. F. Low, son of John Gardner Low, replaced his retired grandfather.) During the 1880s, the company won awards in the United States and Europe for its high relief decorative art tiles, which ornamented such objects as candlesticks, cast-iron stoves, clocks, fireplace surrounds, soda fountains, trivets, and walls.
Of note are the 25 tall mirrored amber glass panels in the entrance; the use of 60-degree angles to produce diamond or crystalline shapes; attention to decorative finishes particularly to the pillars; a row of colourful ceramic tiles in the moulded fireplace (unique amongst the Castlecrag houses); the entirely moulded concrete fireplace in the ...
Jorge Colaço GOSE (26 February 1868 - 23 August 1942) was a Portuguese painter specially known for his works as tile painter.. Jorge Colaço was born in Tangier, Morocco, the son of a Portuguese diplomat. [1]
The dated features—knotty pine wood, orange tones, and commercial details like exit signs, fire alarms, and plaid-covered foam panels duct-taped to the wall— allhad to go.
The earliest azulejos in the 13th century were panels of tile-mosaic known as alicatados (from Arabic: ﻗَﻄَﻊَ, romanized: qata'a, lit. 'to cut'), [6] [7]: 24 known as zellij in Islamic architecture. [8] Tiles were glazed in a single colour, cut into geometric shapes, and assembled to form geometric patterns.
He also designed and built an ornamental fireplace at Swathgill in the 1920s, for the Fairfax-Cholmeleys, this included painted panels and tiles. Unfortunately, a later occupant of Swathgill dismantled the decorative elements of this fireplace, but the tiles survive, should a future occupant choose to reinstate them, though the painted panels ...
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