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" Gloria al Bravo Pueblo" (pronounced [ˈɡloɾja al ˈβɾaβo ˈpweβlo]; lit. ' Glory to the Brave People ' ) is the national anthem of Venezuela . Its lyrics were written by physician and journalist Vicente Salias in 1810, set to music later composed by musician Juan José Landaeta.
1993 - Mitos de Creación de la Cuenca del Orinoco; 1995 - Mitos y Leyendas. Venezuela para Jóvenes. Literatura, Teatro, Mitos y Leyendas; 1997 - Cultura y Pueblos Indígenas. Dossier en Venezuela Cultural: Los instrumentos, el canto y la acción chamánica. 1997 - Visión Americanista de la Artesanía (Co-Autor) 1997 - Shamanismo Sudamericano ...
Velorio de Cruz de Mayo, drawing by Anton Goering (1892) Another very popular music in Venezuela is the Gaita Zuliana. This genre originated from the region of Zulia State and is very popular during the Christmas season. The gaita united to the Aguinaldo, conforms the national representation of the Venezuelan Christmas.
Timoto–Cuica people were an Indigenous people of the Americas composed primarily of two large tribes, the Timote and the Cuica, that inhabited in the Andes region of Western Venezuela. [1] They were closely related to the Muisca people of the Colombian Andes, who spoke Muysccubun, a version of Chibcha .
Venezuela's youth orchestras are run under the auspices of the Fundación Musical Simón Bolívar (FMSB), known colloquially as El Sistema, Venezuela's social action music programme. The Guardian wrote that the orchestra represented "a message of social inclusion and the manifest power of music to bring communities together". [4]
Los guardianes de la tradición: compositores y decimeros : décimas y argumentos de tradición oral en las comunidades afroecuatorianas de Esmeraldas. Esmeraldas, Ecuador: PRODEPINE, Proyecto de Desarrollo de los Pueblos Indigenas y Negros, 2002. OCLC 230742437. Laura Hidalgo Alzamora. Décimas esmeraldeñas. Quito: Libresa, 1995.
The Natives of Cumaná attack the mission after Gonzalo de Ocampo's slaving raid. Colored copperplate by Theodor de Bry, published in the "Relación brevissima de la destruccion de las Indias". Around 13 000 BCE human settlement in the actual Venezuela were the Archaic pre-ceramic populations that dominated the territory until about 200 BCE.
The technical and musical knowledge and expertise required to be able to play the instrument in this way is astounding. The results have made Venezuelan traditional music leap to a whole new level of complexity, many times encompassing the utilization of jazz harmonic structures and melodic phrasing to enrich many traditional tunes.