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A new audiobook version was released in 2007 by Random House Audio to coincide with the release of Blade Runner: The Final Cut. This version, read by Scott Brick, is unabridged and runs approximately 9.5 hours over eight CDs. This version is a tie-in, using the Blade Runner: The Final Cut film poster and Blade Runner title. [6]
Blade Runner is a 1982 science fiction film directed by Ridley Scott from a screenplay by Hampton Fancher and David Peoples. [7] [8] Starring Harrison Ford, Rutger Hauer, Sean Young, and Edward James Olmos, it is an adaptation of Philip K. Dick's 1968 novel Do Androids Dream of Electric Sheep?
The Bladerunner (also published as The Blade Runner) is a 1974 science fiction novel by Alan E. Nourse, about underground medical services and smuggling.It was the source for the title, but no major plot elements, of the 1982 film Blade Runner, adapted from the novel Do Androids Dream of Electric Sheep? by Philip K. Dick, [1] though elements of the Nourse novel recur in a pair of 2002 films ...
Archie Goodwin scripted the comic book adaptation of Blade Runner, entitled A Marvel Comics Super Special: Blade Runner, published in September 1982 [108] as the twenty-second issue of the Marvel Comics Super Special series of titles which, by the year 1982, only printed adaptations of films Marvel had obtained the rights to. It was later ...
Rick Deckard is a fictional character and the protagonist of Philip K. Dick's 1968 novel Do Androids Dream of Electric Sheep?. Harrison Ford portrayed the character in the 1982 film adaptation, Blade Runner, and reprised his role in the 2017 sequel, Blade Runner 2049.
(Wide Books 2012). ISBN 9781478101949 www.wide-books.com Full color, 142 pages; PRECIOUS ARTIFACTS 2: A Philip K. Dick Bibliography, The Short Stories, United States, United Kingdom and Oceania, 1952 - 2014. Compiled by Henri Wintz and David Hyde (Wide Books 2014). ISBN 9781502725684 www.wide-books.com Full color, 216 pages
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Despite the initial appearance and marketing of an action film, Blade Runner operates on an unusually rich number of dramatic levels. As with much of the cyberpunk genre, it owes a large debt to film noir, containing and exploring such conventions as the femme fatale, a Chandleresque first-person narration in the Theatrical Version, the questionable moral outlook of the hero—extended here to ...
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