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In addition, rumba flamenca has a particular guitar strumming pattern absent in other flamenco styles. [6] The rhythm is a modified tresillo rhythm with eight beats grouped into a repeating pattern of 3+3+2. [5] Unlike traditional flamenco, rumbas may be played in any key, major, minor and modal. [5] At approx. 100-120bpm, the tempo of rumba ...
Flamenco guitarists are known as tocaores (from an Andalusian pronunciation of tocadores, "players") and the flamenco guitar technique is known as toque. Flamenco players tend to play the guitar between the sound hole and the bridge, but as close as possible to the bridge, to produce a harsher, rasping sound quality.
His music, and playing, aroused curiosity to listeners of traditional flamenco from first notes. His producer Jose Luis de Carlos, also his mentor, presented his work as a new style between pop and flamenco, serious, rigorous, contemporary, passionate and visionary with jazz and black music influences. Career highlights included his first LPs.
Use of the hands in Flamenco dance. Técnica also included aspects of rumba, a traditionally Cuban dance that arose as a secular genre of Cuban music. [10] The stylistic techniques of the elongated torso and flexed posture in rumba are present in the stance of técnica dancers: knees are bent and the body is tilted forward from the hips.
Marcus Nand (born Merseyside, England) is a guitarist, singer-songwriter, producer, and sound engineer best known for his work with flamenco guitar.After learning rock, blues, and flamenco in Spain in his youth, he has been based in Los Angeles since the 1990s.
Download as PDF; Printable version; In other projects Wikimedia Commons ... List of notable flamenco guitarists A. Ramón de Algeciras; Vicente Amigo; Aniya la Gitana ...
Rumba instrumentation has varied historically depending on the style and the availability of the instruments. The core instruments of any rumba ensemble are the claves, two hard wooden sticks that are struck against each other, and the conga drums: quinto (lead drum, highest-pitched), tres dos (middle-pitched), and tumba or salidor (lowest-pitched).
In Spain, the term rumba was introduced in the early 20th century as rumba flamenca, one of the palos (styles) of flamenco. Particularly, it is considered one of the cantes de ida y vuelta , since flamenco itself might have had an influence on Cuban rumba, particularly on its vocal style.
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