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In addition, rumba flamenca has a particular guitar strumming pattern absent in other flamenco styles. [6] The rhythm is a modified tresillo rhythm with eight beats grouped into a repeating pattern of 3+3+2. [5] Unlike traditional flamenco, rumbas may be played in any key, major, minor and modal. [5] At approx. 100-120bpm, the tempo of rumba ...
Marcus Nand (born Merseyside, England) is a guitarist, singer-songwriter, producer, and sound engineer best known for his work with flamenco guitar.After learning rock, blues, and flamenco in Spain in his youth, he has been based in Los Angeles since the 1990s.
The guitar is a vital instrument to flamenco; it marks the measure of a song, and is frequently used in expressive solos during which the guitarist will improvise short variations called falsetas. Ramón Montoya was the most influential early guitarist, known for having solidified the guitar as a solo instrument.
Michael Laucke (/ ˈ l ɑː k /; 29 January 1947 – 2 December 2021) was a Canadian classical, new flamenco and flamenco guitarist and composer. Starting at the age of thirteen, Laucke gave professional snooker demonstrations and his winnings allowed him to take trips from Montreal to New York City to study the classical guitar with Rolando Valdés-Blain.
Rumba instrumentation has varied historically depending on the style and the availability of the instruments. The core instruments of any rumba ensemble are the claves, two hard wooden sticks that are struck against each other, and the conga drums: quinto (lead drum, highest-pitched), tres dos (middle-pitched), and tumba or salidor (lowest-pitched).
Flamenco guitarists are known as tocaores (from an Andalusian pronunciation of tocadores, "players") and the flamenco guitar technique is known as toque. Flamenco players tend to play the guitar between the sound hole and the bridge, but as close as possible to the bridge, to produce a harsher, rasping sound quality.
The word rumba is an abstract term that has been applied with different purposes to a wide variety of subjects for a very long time. From a semantic point of view, the term rumba is included in a group of words with similar meaning such as conga, milonga, bomba, tumba, samba, bamba, mambo, tambo, tango, cumbé, cumbia and candombe. All of them ...
In Spain, the term rumba was introduced in the early 20th century as rumba flamenca, one of the palos (styles) of flamenco. Particularly, it is considered one of the cantes de ida y vuelta , since flamenco itself might have had an influence on Cuban rumba, particularly on its vocal style.
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