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So Seung-geun of IZM gave "Cupid" 4.5 out of 5 stars, writing that Fifty Fifty had found their own color. [29] Music critic Kim Yoon-ha from Yes24 noted how "Cupid" highlighted the vocals, putting them to the forefront instead of considering the voice as one of several instruments, stating that this approach reminded Kim of the Korean songs of the late 2000s rather than modern K-pop. [30]
Love Tune is the second extended play by South Korean girl group Fifty Fifty and first release since their re-organization as a five member group. It was released by Attrakt on September 20, 2024 and contains six tracks, including the lead single "SOS" and the pre-release single "Starry Night".
Bleach Beat Collection 3rd Session 02 - Grimmjow Jaegerjaques. Released: June 6, 2007; Label: Aniplex; 57 2 [23] Bleach Beat Collection 3rd Session 03 - Sousuke Aizen. Released: August 1, 2007; Label: Aniplex; 96 1 [24] Bleach Beat Collection 3rd Session 04 - Kaname Tosen. Released: October 3, 2007; Label: Aniplex; 158 1 [25]
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Fifty Fifty debuted on November 18, 2022, with their extended play (EP) The Fifty. They experienced a commercial breakthrough with their viral hit single "Cupid". The single, which was released in February 2023, made Fifty Fifty the fastest K-pop group to enter the US Billboard Hot 100 and UK Singles Chart, within four months of debut. [1]
Although Ichigo easily overpowers Aizen as they take their fight outside Karakura, having discarded his spirit pressure for physical strength, Aizen evolves into a hollow-like creature. Although Aizen renders Ichigo's left arm useless, Ichigo uses the last resort technique that he learned from Tensa Zangetsu: The Final Getsuga Tenshō.
Bleach: Heat the Soul (BLEACH:ヒート・ザ・ソウル) is the first installment in the Heat the Soul fighting game series, released on March 24, 2005. [5] The theme song for the game is *: Asterisk by Orange Range, which also happens to be the original opening theme for the anime.
Santos considered the battle between Aizen and Ichigo which ended Aizen's tenure as series villain a "predictable yet satisfying" scene which represented, for Tite Kubo, the culmination of many years of development as an artist. He felt, however, that after the years of buildup of Aizen as the villain, his defeat may have been too swift. [14]