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In the colonial era, artists primarily created religious art and portraits, but in the 18th century, casta paintings emerged as a completely secular genre of art. An exception to that is the painting by Luis de Mena , a single canvas that has the central figure of the Virgin of Guadalupe and a set of casta groupings. [ 40 ]
He created religious and secular art for the Catholic Church and wealthy patrons. His casta paintings, depicting interracial marriage among Amerindians, Spaniards and Africans, are considered among the genre's finest. [3] Cabrera's paintings range from tiny works on copper to enormous canvases and wall paintings.
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His paintings featured the Spanish men as the dominant figures in the family. He also used body language to express attitudes and emotions that supposedly resulted from racial mixing. Apart from Casta painting, Morlete Ruiz followed the trend of exoticism by painting local flora and fauna, especially fruits to show a Spanish audience the bounty ...
Toussaint believed he might be the official painter for the Seminario de San Camila, [1] His 1777 single-canvas casta painting is an exemplar of this eighteenth-century genre of secular art. [2] It is similar in some ways to the 1750 single-canvas painting by Luis de Mena , which also includes outdoor scenes near Mexico City, particularly the ...
In theory, and as depicted in some eighteenth-century Mexican casta paintings, the offspring of a castizo/a [mixed Spanish - Mestizo] and an Español/a could be considered Español/a, or "returned" to that status. [20] Racial labels in a set of eighteenth-century Mexican casta paintings by Miguel Cabrera: De Español e India, nace Mestiza
One of the main reasons that innovation was frowned upon in the Casta painters' guild was due to the very purpose of the Casta system. The system was, in part, created to try and impose an order on a very messy reality – the mixing of ‘races’ between the Spanish, indigenous, and African peoples of New Spain.
Little is known of his personal life, but he was a well-known artist who produced a large number of extant religious paintings and portraits of high ecclesiastics in Puebla. [1] He also produced two sets of casta paintings in the 1770s, not mentioned in the works of art historians Manuel Toussaint [ es ] and Francisco Pérez Salazar, who are ...