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American literary regionalism, often used interchangeably with the term "local color", is a style or genre of writing in the United States that gained popularity in the mid-to-late 19th century and early 20th century.
Within this form of poetry the most important variations are "folk song" styled verse , "old style" verse , "modern style" verse . In all cases, rhyming is obligatory. The Yuefu is a folk ballad or a poem written in the folk ballad style, and the number of lines and the length of the lines could be irregular.
Acrostic: a poem in which the first letter of each line spells out a word, name, or phrase when read vertically. Example: “A Boat beneath a Sunny Sky” by Lewis Carroll. Concrete (aka pattern): a written poem or verse whose lines are arranged as a shape/visual image, usually of the topic. Slam; Sound; Spoken-word; Verbless poetry: a poem ...
This style combines visual art and written expression to create new ways of presenting and interpreting poetry. [1] Visual poetry focuses on playing with form, which means it often takes on various art styles. These styles can range from altering the structure of the words on the page to adding other kinds of media to change the poem itself. [2]
Their style of poetry was dubbed "Counter-Romanticism" and it was led by Verlaine, Rimbaud, Mallarmé, Laforgue and Corbière. [25] It was concerned with synaethesis (the harmony or equilibrium of sensation) [ 26 ] and later described as "the moment when French poetry began to take consciousness of itself as poetry."
The poem is an elegy in name but not in form; it employs a style similar to that of contemporary odes, but it embodies a meditation on death, and remembrance after death. The poem argues that the remembrance can be good and bad, and the narrator finds comfort in pondering the lives of the obscure rustics buried in the churchyard.
Some symbolism appears commonly in works of poetry, fiction, or visual art. For instance, often, a rose symbolizes beauty; a lion symbolizes strength; and certain colors symbolize national flags and thus, by extension, certain nations. [3] The latter is specifically an example of color symbolism.
The difficulty in defining such a style is admitted by Houédard's statement that "a printed concrete poem is ambiguously both typographic-poetry and poetic-typography". [ 24 ] Ian Hamilton Finlay sculpture in Stuttgart, 1975; the word schiff (ship) is carved in reverse and can only be decoded when reflected on water