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"Battlefield" was released digitally in the United States on May 8, 2009, as the album's lead single. "Battlefield" is a mid-tempo ballad which draws from the genres of pop, R&B, pop rock and soft rock. The song's lyrics revolve around "a tumultuous relationship where neither side wants to compromise."
In the chorus of "One Woman Army", Porcelain Black sings: "I'm on the battlefield like oh my god / knocking soldiers down like house of cards", followed by an "oh la la" ear worm. [7] [9] Typical for mainstream music released in the past decade, the song follows a verse-chorus formula. [9]
The song has been remixed by The Glitch Mob, which was used in the first trailer for the 2016 video game Battlefield 1. The Glitch Mob remix of the song was used in a trailer for the 2013 film G.I. Joe: Retaliation. It appears as a playable track in Guitar Hero: Warriors of Rock and in Guitar Hero Live ' s online GHTV mode.
"Love Is a Battlefield" is a song by American singer Pat Benatar, released on September 12, 1983, as a single from Benatar's live album Live from Earth (1983), though the song itself was a studio recording. It was written by Holly Knight and Mike Chapman. The song was ranked at number 30 in VH1's list of the 100 Greatest Songs of the 1980s. [3 ...
Some anti-war songs lament aspects of wars, while others patronize war.Most promote peace in some form, while others sing out against specific armed conflicts. Still others depict the physical and psychological destruction that warfare causes to soldiers, innocent civilians, and humanity as a whole.
During the American Civil War, music played a prominent role on each side of the conflict, Union (the North) and Confederate (the South). On the battlefield, different instruments including bugles, drums, and fifes were played to issue marching orders or sometimes simply to boost the morale of one's fellow soldiers. Singing was also employed ...
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Beg & Borrow is the thirty-second album by Battlefield Band (with special guests) and their twenty-fourth studio album, released on the Temple Records label as a digital download (and on streaming) on 21 August 2015 and on CD in the UK on 18 September 2015 and in the United States on 16 October 2015.