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In jazz music, on the other hand, such chords are extremely common, and in this setting the mystic chord can be viewed simply as a C 13 ♯ 11 chord with the fifth omitted. In the score to the right is an example of a Duke Ellington composition that uses a different voicing of this chord at the end of the second bar, played on E (E 13 ♯ 11).
Mystic chord: Play ⓘ 6-34: 0 6 t 4 9 2 ... Common chord (music) Diatonic function; Eleventh chord; Extended chord; Jazz chord; Lead sheet; List of musical intervals ...
IV-V-I-vi chord progression in C major: 4: Major I–V–vi–IV: I–V–vi–IV chord progression in C: 4: Major I–IV– ♭ VII–IV: I–IV– ♭ VII–IV. 3: Mix. ii–V–I progression: ii–V–I: 3: Major ii–V–I with tritone substitution (♭ II7 instead of V7) ii– ♭ II –I: 3: Major ii-V-I with ♭ III + as dominant ...
A chord chart. Play ⓘ. A chord chart (or chart) is a form of musical notation that describes the basic harmonic and rhythmic information for a song or tune. It is the most common form of notation used by professional session musicians playing jazz or popular music.
In many styles of popular and traditional music, chord progressions are expressed using the name and "quality" of the chords. For example, the previously mentioned chord progression, in the key of E ♭ major, would be written as E ♭ major–B ♭ major–C minor–A ♭ major in a fake book or lead sheet.
Scriabin himself called this set of pitches, voiced as the simultaneity (in ascending order) C F ♯ B ♭ E A D the "mystic chord". Others have referred to it as the "Promethean chord". It may be thought of as C Lydian dominant without the 5th degree. It can also be though as a triad pair: a minor triad and an augmented triad 1/2 step up.
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