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Aristotle's Poetics (Ancient Greek: Περὶ ποιητικῆς Peri poietikês; Latin: De Poetica; [1] c. 335 BCE [2]) is the earliest surviving work of Greek dramatic theory and the first extant philosophical treatise to focus on literary theory.
Aristotle's Poetics is one of the first extant philosophical treatise to attempt a rigorous taxonomy of literature. [5] The work was lost to the Western world for a long time. It was available in the Middle Ages and early Renaissance only through a Latin translation of an Arabic commentary written by Averroes and translated by Hermannus ...
The works of Aristotle, sometimes referred to by modern scholars with the Latin phrase Corpus Aristotelicum, is the collection of Aristotle's works that have survived from antiquity. According to a distinction that originates with Aristotle himself, [citation needed] his writings are divisible into two groups: the "exoteric" and the "esoteric". [1]
Commentaries on Aristotle refers to the great mass of literature produced, especially in the ancient and medieval world, to explain and clarify the works of Aristotle. The pupils of Aristotle were the first to comment on his writings, a tradition which was continued by the Peripatetic school throughout the Hellenistic period and the Roman era .
In commentary accompanying his 1692 French edition of the Poetics, Dacier made the first known attempt to resolve the contradiction. [44] [45] As scholars normally understand Dacier, [46] his theory was that Aristotle called Euripides' plays ending in misfortune "correct" because the authoritative, traditional versions of these stories end in ...
As translations became available, theorists have looked to the Poetics retrospectively for support of the concept. [16] In these passages from the Poetics, Aristotle considers action: Tragedy, then is a process of imitating an action which has serious implications, is complete, and possesses magnitude. [17]... A poetic imitation, then, ought to ...
Aristotle concludes Poetics with a discussion on which, if either, is superior: epic or tragic mimesis. He suggests that because tragedy possesses all the attributes of an epic, possibly possesses additional attributes such as spectacle and music, is more unified, and achieves the aim of its mimesis in shorter scope, it can be considered ...
Aristotle begins Poetics 13 with the premise that the function of tragedy is the arousal of pity and fear.” [5] According to Belfiore, even though Aristotle "uses one set of criteria for good plots in Poetics 13 and a different set in Poetics 14, these two accounts are more consistent with one another than is often thought”.