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The Coffee Song" (occasionally subtitled "They've Got an Awful Lot of Coffee in Brazil") is a novelty song written by Bob Hilliard and Dick Miles, first recorded by Frank Sinatra in 1946. [1] Later that year it was recorded by The Smart Set, and by others in later years.
The two are pitted against the ruthless food critic Anton Ego. His derision of the "anyone can cook" refrain had dealt a severe blow to the restaurant's reputation, and the two chefs are faced with the challenge of impressing him when he returns. Remy prepares a dish of ratatouille, and Ego praises his work. Upon finding out that the chef was a ...
Carl Stalling would frequently use this song as backing music in Warner Bros. cartoons during scenes depicting hunger, cooking, or eating. Witch Hazel sings her own version of the tune, with altered lyrics, in Broom-Stick Bunny. [6] The song was also recorded by Roger Wolfe Kahn and His Orchestra on Victor Records.
The song, set in a self-service restaurant modeled on the Horn & Hardart Automat, is sung in the play by a group of once-wealthy citizens who were awaiting better times, as mirrored in the song's opening lyrics: Just around the corner, there's a rainbow in the sky, So let's have another cup of coffee, and let's have another piece of pie.
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The melody was derived from a previous song by Cook and Greenaway, originally called "True Love and Apple Pie," that was recorded in 1971 by Susan Shirley. [3] Cook, Greenaway, Backer and Billy Davis reworked the song into a Coca-Cola radio jingle, which was performed by British pop group The New Seekers and recorded at Trident Studios in London .
A lot of our parents' generation came and they hold on to certain things that are kind of a piece in time and is still being used now by Americans to deem any ethnic cuisines as right or wrong.
"Come On in My Kitchen" is a blues song by Robert Johnson. Music writer Elijah Wald has described it as "a hypnotic lament" and "his first unquestionable masterpiece". [1]A sometime traveling companion and fellow musician, Johnny Shines, recalled that Johnson's performance of the song could be overpowering: