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While Robert Johnson's professional recording career can be measured in months, his musical legacy has survived more than 70 years. Muddy Waters and Howlin' Wolf, the two most prominent Chicago bluesmen of the 1950s, both had their roots in the Delta: Muddy was influenced by Johnson's records, [20] and Wolf worked with Johnson around the Delta ...
Chester Arthur Burnett (June 10, 1910 – January 10, 1976), better known by his stage name Howlin' Wolf, was an American blues singer, guitarist and harmonica player. He was at the forefront of transforming acoustic Delta blues into electric Chicago blues, and over a four-decade career, recorded blues, rhythm and blues, rock and roll, and psychedelic rock.
He is best known as the principal guitarist in Howlin' Wolf's band from 1948 to 1953. [2] His raucous, distorted guitar playing is prominent on Howlin' Wolf's Memphis recordings during 1951–1953, including the hit song "How Many More Years" (recorded May 1951). [3] In 2017, Johnson was posthumously inducted in to the Blues Hall of Fame. [4]
The Howlin' Wolf Album is the first studio album by Howlin' Wolf, released in 1969. It features members of Rotary Connection as his backing band. [1] The album mixed blues with psychedelic rock arrangements of several of Wolf's classic songs. Howlin' Wolf strongly disliked the album, which is noted on the album's cover art.
In 1985, the album won a Blues Music Award by The Blues Foundation for 'Classics of Blues Recordings—Album'. [10] In 2012, the album was ranked No. 238 on Rolling Stone magazine's list of the 500 greatest albums of all time and described as "an outrageous set of sex songs written by Willie Dixon."
The Real Folk Blues is a series of blues albums released between 1965 and 1967 by Chess Records, later reissued MCA Records.Each album in the series highlighted the music of one major Chess artist, including John Lee Hooker, Howlin' Wolf, Muddy Waters, and Sonny Boy Williamson II.
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The London Howlin' Wolf Sessions is an album by blues musician Howlin' Wolf released in 1971 on Chess Records, and on Rolling Stones Records in Britain. [5] It was one of the first super session blues albums, setting a blues master among famous musicians from the second generation of rock and roll, in this case Eric Clapton, Steve Winwood, Charlie Watts, and Bill Wyman.