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Half-diminished seventh chords are often symbolized as a circle with a diagonal line through it, as in B ø 7 or simply B ø. It also can be represented as a minor seventh chord with a superscript "♭ 5" (sometimes enclosed in parentheses). The terms and symbols for this chord break expectations that derive from the usual system of chord ...
A seventh chord with a minor third, perfect fifth, and minor seventh is commonly called a minor seventh chord, but also sometimes a minor/minor seventh chord to distinguish it from the minor/major seventh chord discussed below. It can be represented as either as m 7 or − 7, or in integer notation, {0, 3, 7, 10}.
Billy Breathes is the sixth studio album by American rock band Phish, released by Elektra Records on October 15, 1996. The album was credited with connecting the band, known for its jam band concerts and devoted cult following, with a more mainstream audience.
A similar cadence to the ♭ VII–V 7 cadence is the ♭ III–V 7 cadence. In the key of C, this would be E ♭ –G 7 –C (♭ III–V 7 –I). Both the ♭ VII and ♭ III are altered chords or chords borrowed from the variant minor. This cadence occurs in The Beatles' "Something", Leroy Anderson's "Sleigh Ride", and Muse's "New Born".
For example, the interval from A 3 to G 4 is a minor seventh, as the note G 4 lies ten semitones above A 3, and there are seven staff positions from A 3 to G 4. Diminished and augmented sevenths span the same number of staff positions, but consist of a different number of semitones (nine and twelve, respectively).
The half diminished scale is a seven-note musical scale.It is more commonly known as the Locrian ♯ 2 scale [1] or the Aeolian ♭ 5 scale, names that avoid confusion with the diminished scale and the half-diminished seventh chord (minor seventh, diminished fifth).
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Chromatic submediants, like chromatic mediants, are chords whose roots are related by a major third or minor third, contain one common tone, and share the same quality, i.e. major or minor. They may be altered chords. Submediant chords may also appear as seventh chords: in major, as vi 7, or in minor as VI M7 or ♯ vi ø 7: [8]