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Though Appalachian and African American folk music became the basis for most of American popular music, the United States is home to a diverse assortment of ethnic groups. In the early 20th century, many of these ethnic groups supported niche record industries and produced minor folk stars like Pawlo Humeniuk , the "King of the Ukrainian ...
Modern Native American pow wows arose around the turn of the 20th century. While some claim that pow wow had been an integral part of indigenous cultures for over 10 centuries, some modern analysts believe that pow wows were invented to appeal to tourists and had only a tangential relationship to genuine Native American traditions, which generally revolved around ceremonial dance music like ...
American popular music (also referred to as "American Pop") is popular music produced in the United States and is a part of American pop culture. Distinctive styles of American popular music emerged early in the 19th century, and in the 20th century the American music industry developed a series of new forms of music, using elements of blues ...
In the 1950s Perez Prado made the cha-cha-cha famous, and the rise of Afro-Cuban jazz opened many ears to the harmonic, melodic, and rhythmic possibilities of Latin music. The most famous American form of Latin music, however, is salsa. Salsa incorporates many styles and variations; the term can be used to describe most forms of popular Cuban ...
Bernstein was "one of the most prodigiously talented and successful musicians in American history" according to music critic Donal Henahan. [2] Bernstein's honors and accolades include seven Emmy Awards , [ 3 ] two Tony Awards , [ 4 ] and 16 Grammy Awards (including the Lifetime Achievement Award ) [ 5 ] as well as an Academy Award nomination.
It was not until the 1890s that Native American music began to enter the American establishment. At the time, the first pan-tribal cultural elements, such as powwows, were being established, and composers like Edward MacDowell and Henry Franklin Belknap Gilbert used Native themes in their compositions.
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Eric Weisbard, the co-editor of Spin magazine's Alternative Record Guide and an organizer of the Experience Music Project conferences, wrote that, just as albums are "structures of order, turning songs, an inherently ersatz form, into statements", Smith's book "albums the album, compiling the 'statement' works that prevailed in jazz, folk, and two generations of rock into a single package". [4]