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Billboard chart-topping singles released by Motown Year Song title Performer(s) Weeks at no. 1 ... 1970 "I Want You Back" The Jackson 5: 1: 2 "ABC" The Jackson 5: 2: 8
The Bee Gees scored the most number-one hits (9 songs) and had the longest cumulative run atop the Billboard Hot 100 chart (27 weeks) during the 1970s. Rod Stewart remained at the top of the Billboard Hot 100 chart for 17 weeks during the 1970s. Elton John amassed the second-most number-one hits on the Hot 100 chart during the 1970s (6 songs). #
1970s Motown Impact of Brass 1970s Rare Earth The Isley Brothers: 1960s Tamla Mila J: 21st century Motown Chuck Jackson: 1960s V. I. P. Jackie Jackson: 1970s Motown Jermaine Jackson: 1970s Motown Michael Jackson: 1970s Motown The Jackson 5: 1970s Motown Jada: 21st century Motown Rick James: 1970s Gordy Mable John: 1960s Tamla Marv Johnson ...
Arguably one of the best decades of music, the 1970s saw the rise of disco, long shaggy hair, the continuation of the free love movement, and, of course, Rock and Roll at its height of fame.
1970 15 2 — 28 RIAA: Gold [11] Anthology (re-released with additional tracks in 1986 and 1995) 1973 65 5 — — RIAA: Platinum [11] All the Million Sellers: 1981 — — — — RIAA: Platinum [11] Great Songs and Performances That Inspired the Motown 25th Anniversary T.V. Special: 1983 — — — — RIAA: Gold [11] The Temptations 25th ...
Motown was the most successful soul music label, with a net worth of $61 million. Between 1960 and 1969, Motown had 79 songs reach the top-ten of the Billboard Hot 100. In March 1965, Berry Gordy and Dave Godin agreed to license the Tamla Motown label name for future UK releases through EMI Records Limited.
Hitsville USA: The Motown Singles Collection 1959–1971 is a 1992 four-CD collection of Motown hits, during Motown's golden age when the songs were recorded at its original Detroit studio. [1] The selections on this compilation were transferred from the original single mixes, which were mixed for AM radio play and 45 RPM singles.
After 1971, Starr's career began to falter, and, citing Motown's reliance on formulas, he departed the label in the mid-1970s. Edwin Starr re-recorded the song in 1992 produced by Simon Harris . Later in his career, after moving to the United Kingdom , Starr re-recorded several of his hits with British band Utah Saints .
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