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Aboriginal art symbols, on Art Ark - gives meanings of some common symbols; Guide to Indigenous Art Centres (Australian Art Collector magazine) "Country, memory and art: Understanding Indigenous art", audio + transcript, by Howard Morphy, John Carty, and Michael Pickering. National Museum of Australia, 8 December 2010
Wandjina rock art on the Barnett River, Mount Elizabeth Station. The Wandjina, also written Wanjina and Wondjina and also known as Gulingi, are cloud and rain spirits from the Wanjina Wunggurr cultural bloc of Aboriginal Australians, depicted prominently in rock art in northwestern Australia.
Aboriginal man with shield and boomerang Child asleep in wooden dish, central Australia, c.1940s. Australian Aboriginal artefacts include a variety of cultural artefacts used by Aboriginal Australians. Most Aboriginal artefacts were multi-purpose and could be used for a variety of different occupations.
Kangaroo totemic ancestor – Australian Aboriginal bark painting, Arnhem Land, c. 1915.. Kangaroos, Wallabies and other Macropodidae have become emblems and symbols of Australia, as well as appearing in popular culture both internationally and within Australia itself.
Yawkyawk, Aboriginal shape-shifting mermaids who live in waterholes, freshwater springs, and rock pools, cause the weather and are related by blood or through marriage (or depending on the tradition, both) to the rainbow serpent Ngalyod. Yee-Na-Pah, an Arrernte thorny devil spirit girl who marries and echidna spirit man.
Circles in Australian Aboriginal art are often interpreted as being representative of water sources, while radiating lines indicate the path of an ancestral being. [1]A common interpretation is that motifs such as Panaramitee ones provide shared knowledge to travellers moving through the landscape; plotting important routes to resources.
Art historian Dawn Ades writes, "Far from being inferior, or purely decorative, crafts like textiles or ceramics, have always had the possibility of being the bearers of vital knowledge, beliefs and myths." [51] Recognizable art markets between Natives and non-Natives emerged upon contact, but the 1820–1840s were a highly prolific time.
Gwion Gwion (Tassel) figures wearing ornate costumes. The Gwion Gwion rock paintings, Gwion figures, Kiro Kiro or Kujon (also known as the Bradshaw rock paintings, Bradshaw rock art, Bradshaw figures and the Bradshaws) are one of the two major regional traditions of rock art found in the north-west Kimberley region of Western Australia.
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