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Don Juan (Spanish: [doŋ ˈxwan]), also known as Don Giovanni , is a legendary, fictional Spanish libertine who devotes his life to seducing women. The original version of the story of Don Juan appears in the 1630 play El burlador de Sevilla y convidado de piedra (The Trickster of Seville and the Stone Guest) by Tirso de Molina.
Frontispiece illustration of a bust of Lord Byron in the 1824 edition of Don Juan. (Benbow publisher) Byron was a prolific writer, for whom "the composition of his great poem, Don Juan, was coextensive with a major part of his poetical life"; he wrote the first canto while resident in Italy in 1818, and the 17th canto in early 1823. [3]
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The island's first writers were commissioned by the Spanish Crown to document the chronological history of the island. Among these writers were Father Diego de Torres Vargas , who wrote about the history of Puerto Rico, Father Francisco Ayerra de Santa María , who wrote poems about religious and historical themes, and Juan Ponce de León II ...
The second, A Structural Analysis, is an attempt, Castaneda says, at "disclos[ing] the internal cohesion and the cogency of don Juan’s Teachings." [3] The 30th-anniversary edition, published by the University of California Press in 1998, contains commentary by Castaneda not present in the original edition.
Art historian Josep Gudiol considers Don Juan and the Commendatore a manifestation of Goya’s pre-Romantic style. [6] Don Juan’s figure might also portray an actor from Goya’s time, as leading roles were often played by Manuel García Parra [22] or Manuel de la Prada, actors specializing in plays on magical themes.
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In the 1860s, Canarian immigration to America took place at the rate of over 2,000 per year, at a time when the total island population was 237,036. In the two-year period 1885–1886, more than 4,500 Canarians emigrated to Spanish possessions, with only 150 to Puerto Rico. Between 1891 and 1895 Canarian immigrants to Puerto Rico numbered 600.