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In bringing about the Redemption through suffering, Christ has also raised human suffering to the level of the Redemption. Thus each man, in his suffering, can also become a sharer in the redemptive suffering of Christ. [9] Those who share in Christ's sufferings have before their eyes the Paschal Mystery of the Cross and Resurrection, in which ...
Pope John Paul II stated, "Each man, in his sufferings, can also become a sharer in the redemptive suffering of Christ". [2] (cf. Colossians 1:24) Like an indulgence, redemptive suffering does not gain the individual forgiveness for their sin; forgiveness results from God's grace, freely given through Christ, which cannot be earned. (see Romans ...
Christ healing the paralytic at Capernaum by Bernhard Rode 1780. Jesus heals the paralytic at Capernaum ( Galway City Museum , Ireland) Jesus heals the man with palsy by Alexandre Bida (1875) Healing the paralytic at Capernaum is one of the miracles of Jesus in the synoptic Gospels ( Matthew 9:1 – 8 , Mark 2 :1–12, and Luke 5:17–26).
Christian teachings on what it means to "know Christ" effectively gave rise to the field of Christology, beginning with Apostle Paul's discussion in Philippians 2:5-6 about the relationship between Christ and God. [3] [4] Different Christian traditions have recommended varying paths for gaining a better knowledge of Christ.
In the teachings of the traditional Christian churches, the sacraments derive their saving power from the passion and resurrection of Christ, upon which the salvation of the world entirely depends. [1] The redemptive value of the resurrection has been expressed through Christian art, as well as being expressed in theological writings.
A Christ figure, also known as a Christ-Image, is a literary technique that the author uses to draw allusions between their characters and the biblical Jesus.More loosely, the Christ figure is a spiritual or prophetic character who parallels Jesus, or other spiritual or prophetic figures.
From the middle of the 4th century, after Christianity was legalized by the Edict of Milan in 313, and gained Imperial favour, there was a new range of images of Christ the King, [47] using either of the two physical types described above, but adopting the costume and often the poses of Imperial iconography.
The perfection of Christ is a principle in Christology which asserts that Christ's human attributes exemplified perfection in every possible sense. Another perspective [citation needed] characterizes Christ's perfection as purely spiritual and moral, while his humanistic traits are subject to flaw, potential, and improvement as part of the current human condition.
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