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Basket of Fruit, c. 1595–1596, oil on canvas, Pinacoteca Ambrosiana, Milan. Caravaggio (Michelangelo Merisi or Amerighi) was born in Milan, where his father, Fermo (Fermo Merixio), was a household administrator and architect-decorator to the marquess of Caravaggio, a town 35 km (22 mi) to the east of Milan and south of Bergamo. [7]
Caravaggio, born Michelangelo Merisi da Caravaggio (also Michele Angelo Merigi or Amerighi da Caravaggio; / ˌ k ær ə ˈ v æ dʒ i oʊ /, US: /-ˈ v ɑː dʒ (i) oʊ /; Italian: [mikeˈlandʒelo meˈriːzi da (k)karaˈvaddʒo]; 29 September 1571 [1] – 18 July 1610), was an Italian painter active in Rome for most of his artistic life.
The Borghese Collection is a collection of Roman sculptures, old masters and modern art collected by the Roman Borghese family, especially Cardinal Scipione Borghese, from the 17th century on. It includes major collections of Caravaggio , Raphael , and Titian , and of ancient Roman art .
The Alessandro Mattei listed in the final branch of the family tree above, though sources suggests he undertook an ecclesiastic career, is not Alessandro Mattei (1744–1820). Ironically though, the latter Alessandro was also nephew to a Luigi Mattei ; born in 1702 [ 5 ] who later became a cardinal (not the military Luigi Mattei listed above).
The House of Gonzaga (US: / ɡ ə n ˈ z ɑː ɡ ə, ɡ ɒ n-,-ˈ z æ ɡ-/, [2] Italian: [ɡonˈdzaːɡa]) is an Italian princely family that ruled Mantua in Lombardy, northern Italy from 1328 to 1708 (first as a captaincy-general, then margraviate, and finally duchy).
The House of Sforza (Italian:) was a ruling family of Renaissance Italy, based in Milan.Sforza rule began with the family's acquisition of the Duchy of Milan following the extinction of the Visconti family in the mid-15th century and ended with the death of the last member of the family's main branch, Francesco II Sforza, in 1535.
The Madonna and Child with St. Anne (Dei Palafrenieri) or Madonna and the Serpent [1], is one of the mature religious works of the Italian Baroque master Caravaggio, painted in 1605–1606, for the altar of the Archconfraternity of the Papal Grooms (Italian: Arciconfraternita di Sant'Anna de Parafrenieri) [2] in the Basilica of Saint Peter [3] and taking its theme from Genesis 3:15.
Giovanni Baglione mentioned in 1642 in his report (p. 137) that the Mattei family[3] was the patron of this Trieste Version of Doubting Thomas. [16] Michelangelo Merisi da Caravaggio was the guest of the brothers Ciriaco Mattei and Cardinal Girolamo Mattei in the latter's family palace (today Caetani in Via delle Botteghe Oscure, Roma) from ...