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"If We Must Die" is one of McKay's most famous poems, and the poet Gwendolyn Brooks cited it as "one of the most famous poems ever written". [7] According to Jordanian scholar Shadi Neimneh, the poem "arguably marks the beginning of the Harlem Renaissance because it gives expression to a new racial spirit and self-awareness". [10]
Robert Lee Frost (March 26, 1874 – January 29, 1963) was an American poet. Known for his realistic depictions of rural life and his command of American colloquial speech, [2] Frost frequently wrote about settings from rural life in New England in the early 20th century, using them to examine complex social and philosophical themes.
Such poems are either explicitly Marxist or at least socialist, though they are often aesthetically disparate. [3] As a literature that emphasized working-class voices , the poetic form of works range from those emulating African-American slave work songs to modernist poetry .
As with his earlier poems, "In Flanders Fields" continues McCrae's preoccupation with death and how it stands as the transition between the struggle of life and the peace that follows. [10] It is written from the point of view of the dead. It speaks of their sacrifice and serves as their command to the living to press on. [11]
It was written in 1849, and first published in The Crayon, an American art journal, in August 1855, under the title "The Struggle". [1] Clough published the poem without a title in 1862. [ 1 ] In The Poems and Prose Remains of Arthur Hugh Clough , 1869, the poem was titled "Say Not the Struggle Nought Availeth" .
"Mother to Son" is a 1922 poem by American writer and activist Langston Hughes. The poem follows a mother speaking to her son about her life, which she says "ain't been no crystal stair". She first describes the struggles she has faced and then urges him to continue moving forward.
John Allyn McAlpin Berryman (born John Allyn Smith, Jr.; October 25, 1914 – January 7, 1972) was an American poet and scholar.He was a major figure in American poetry in the second half of the 20th century and is considered a key figure in the "confessional" school of poetry.
Most of the poems resemble short dramas or dialogues. It is also called a book of people because most of the poems deal with New England themes and Yankee farmers. Ezra Pound wrote a review of this collection in 1914. Despite it being called "North of Boston", none of the poems have that name.
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