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Duke Ellington – piano; Willie Cook, Fats Ford, Ray Nance, Clark Terry - trumpet; Lawrence Brown, Booty Wood, Britt Woodman - trombone; Juan Tizol - valve trombone; Jimmy Hamilton - clarinet, tenor saxophone
Piece Composer Approximate duration Page count Page size Notes Beatus Vir: Jacob Mashak 11 hours 53 (in proportional notation) [1]: A work for two pianos. Premiered by three pianists (including the composer), who played in rotation.
From 2007 to 2015, the IMSLP / Petrucci Music Library used a logo based on a score. The score image in the background was taken from the beginning of the first printed book of music, the Harmonice Musices Odhecaton. It was published in Venice, Italy in 1501 by Ottaviano Petrucci, the library's namesake. [5] [non-primary source needed]
Fünf Gesänge (Five songs), Op. 104, is a song cycle of five part songs for mixed choir a cappella by Johannes Brahms. Composed in 1888 when Brahms was a 55-year-old bachelor, the five songs reflect an intensely nostalgic and even tragic mood. Brahms has chosen texts which centre on lost youth, summer turning into fall and, ultimately, man's ...
Score Link – ♫ a direct link to the score at the International Music Score Library Project (IMSLP) website; Date – the known or assumed date of composition, when available; or date of publication; Numbering Systems of Piano Sonatas – the numbering of the piano sonatas as listed in the Breitkopf & Härtel and Wiener Urtext Editions ...
Mátraszentimrei dalok (Songs from Mátraszentimre) (1955) Éjszaka – Reggel (Night, morning) (1955) Lux Aeterna (1966) Three Fantasies after Friedrich Hölderlin (1982) Magyar Etüdök, for 16 voices after Sándor Weöres (1983) Nonsense madrigals, for 6 male voices (1988–93), partly on poems by Lewis Carroll.
The pieces are not straightforwardly folk songs; nor are their themes lifted from folk songs. Instead each is an entirely original composition which emulates the style of folk music. In keeping with the folk style the pieces are not unusually harmonically experimental, as many of his late compositions were, but Schumann achieved a sense of folk ...
(Note: Cui's compositions, especially from the end of his life, remain in manuscript in the Russian National Library; likewise with the full orchestral scores of several of the operas. The recent publications of the last of Cui's instrumental works (Opp. 104–106) has addressed the research gap in his unknown works.)