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Dance whether social, ritual or even theatrical, is inherent in a complex web of relationships. He interprets the socially predetermined and meaningful ways of movement and, of course, the history of dance groups in specific societies. In this way dance is "a social text" complex, multifaceted and constantly evolving. [2]
The following is a list with the most notable dances. Names of many Greek dances may be found spelt either ending with -o or with -os.This is due to the fact that the word for "dance" in Greek is a masculine noun, while the dance itself can also be referred to by a neuter adjective used substantively.
The definition of the field has become more refined over the years. Early on, ethnohistory differed from history proper in that it added a new dimension, specifically "the critical use of ethnological concepts and materials in the examination and use of historical source material," as described by William N. Fenton. [12]
The history of dance is difficult to access because dance does not often leave behind clearly identifiable physical artifacts that last over millennia, such as stone tools, hunting implements or cave paintings. It is not possible to identify with exact precision when dance becomes part of human culture. Dance is filled with aesthetic values ...
This is a list of dance categories, different types, styles, or genres of dance. For older and more region-oriented vernacular dance styles, see List of ethnic, regional, and folk dances by origin .
The piece is subdivided into sections, “Paradigm”, “Definitions” and “Ethnicity of Ballet”. Kealiinohomoku begins by addressing historically inconsistent and ethnocentric definitions of dance, used by western dance history scholars and choreographers to describe non-Western dance traditions.
Ethnic history is a branch of social history that studies ethnic groups and immigrants. Barkan (2007) argues that the field allows historians to use alternate models of interpretation, unite qualitative and quantitative data, apply sociological models to historical patterns, examine more deeply macro-level policies and decisions, and, especially, empathize with the ethnic groups under study.
"African American Cultural Dance" was a description coined by National Dance Association author and researcher Frank R. Ross, who correctly replaced the old stereotyped "vernacular" (native or natural) definition of African-American dance with its correct definition as "cultural" (sanctioned by the National Dance Association and International ...