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Andante in C major for Flute and Orchestra, K. 315 (1778) Carl Maria von Weber: Romanza siciliana for flute and orchestra in G minor, J. 47 (1805) [3] Camille Saint-Saëns: Romance for flute and orchestra in D-flat major, Op. 37 (1871) Odelette for flute and orchestra in D major, Op. 162 (1920) [4]
Robert Dick (born January 4, 1950) is a flutist, composer, teacher, inventor, and author.. His musical style is a mix of classical, world music, electronic and jazz.2014, the National Flute Association awarded Dick its Lifetime Achievement Award. [1]
Variations, My days have been so wondrous free; My days have been so wondrous free is written by Francis Hopkinson, to a poem by Thomas Parnell. Caprice (1999) [133] fl gtr LCCN [134] WorldCat [135] (00:04:00) Flute and guitar mixed duet. Commissioned by Red Cedar Chamber Music. [136]
Music for Flute, Strings, and Percussion is a piece written by Sofia Gubaidulina in 1994 dedicated to Pierre-Yves Artaud. The instruments are divided into two sections, one of which is tuned a quarter-tone lower than the other. [1] Gubaidulina (2001) describes, "in this way the potential of treating both halves as 'light' and 'shadow' emerges."
The Ten National Airs with Variations for Flute and Piano, Op. 107, were composed by Ludwig van Beethoven in 1818 and 1819. [1] Beethoven wrote this piece based on folk-derived melodies. [ 1 ] This is one of several sets of pieces that Beethoven wrote that are folk-derived.
Free scores by Joachim Andersen at the International Music Score Library Project (IMSLP) Overview of Andersen's compositions in the royal Danish library, with pdf's of most of the music; the mp3 file "étude for solo flute by scott goff" is op.15 n.3 of the composer joachim andersen (the piece is this
Tom Kim apologized on social media Monday after he damaged his locker room door following a playoff loss at the DP World Tour’s Genesis Championship in South Korea on Sunday.
Georg Philipp Telemann's 12 fantaisies à traversière sans basse, [1] 12 Fantasias for Solo Flute, TWV 40:2–13, were published in Hamburg in 1732–33. An extant copy of the publication, conserved in Brussels, has a spurious title page reading Fantasie per il Violino senza Basso (Fantasias for Solo Violin). [ 1 ]