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Today, the MC-2300 remains a very sought-after amplifier for audiophiles and collectors. The MC-2300 can be utilized either as a 300-watt-per-channel stereo amp, or a 600-watt monoblock, and was rated by its manufacturer as being able to produce this amount of power continuously, with very little (less than 0.25%) distortion. [1]
An Allen & Heath 4-Channel with Effects Mixer sits between the two turntables, allowing shorter travel during battles, or competitions. The SL-1200 series was developed as a special project by Technics parent company Matsushita in an attempt to solve problems related to turntable design. The task included minimizing acoustic feedback, unwanted ...
It reportedly used forty-eight 300-watt per channel (600 wpc in a bridged monoblock configuration) McIntosh model MC2300 solid state amplifiers for a total of 28,800 watts of continuous power to power a speaker system over 100 feet wide and three stories tall. [30] [31] [23] In October 1977, Gordon Gow became president and CEO when Mr. McIntosh ...
The SA-5151 was the most powerful unit, with minimum ratings of 85 watts RMS per channel into 8 Ohms from 20 Hz to 20 kHz with no more than .09% total harmonic distortion. The early line included a selection of AM-FM tuners and amplifiers (SM-4646, SM-3636 and ST-1515) that were of similar design and build characteristics as the receiver line.
Ace Tone TOP-1. Ace Electronic Industries Inc., or Ace Tone, was a manufacturer of electronic musical instruments, including electronic organs, analogue drum machines, and electronic drums, as well as amplifiers and effects pedals.
Most of these had Marshall layout and components, though some unusual amplifiers were made, such as a 75 watt keyboard amplifier with KT88 tubes. A 2×12-inch combo had the option of sending the first channel into the second, probably inspired by Marshall users doing the same trick with a jumper cable. [8]
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In 1969 the Dynaquad 4-channel matrix decoder system was introduced, helping to start the quadrophonic sound craze. In the 1970s, the Stereo 400 was developed and marketed. This was a high power amplifier at 200 watts per channel that offered automatic protection circuitry to prevent electrical destruction of the loudspeaker.
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