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Aztec Tlālpanhuēhuētl with Symbols of War, National Museum of Anthropology, Mexico City. The huēhuētl [ˈweːweːt͡ɬ] is a percussion instrument from Mexico, used by the Aztecs and other cultures. It is an upright tubular drum made from a wooden body opened at the bottom that stands on three legs cut from its base, with skin stretched ...
Netotiliztli, often known as the dance of celebration and worship, was a traditional dance practiced by the Mexica people. [1] As a pre-Hispanic tradition, it was a spiritual dance, deeply associated with the worship of Aztec gods.
The Aztecs [a] (/ ˈ æ z t ɛ k s / AZ-teks) were a Mesoamerican civilization that flourished in central Mexico in the post-classic period from 1300 to 1521. The Aztec people included different ethnic groups of central Mexico, particularly those groups who spoke the Nahuatl language and who dominated large parts of Mesoamerica from the 14th to the 16th centuries.
In Aztec mythology, Huēhuehcoyōtl ([weːweʔˈkojoːt͡ɬ]) (from huēhueh "very old" (literally, "old old") and coyōtl [ˈkojoːt͡ɬ] "coyote" in Nahuatl) is the auspicious Pre-Columbian god of music, dance, mischief, and song.
The dance emerged shortly after the Spanish conquest of the Aztec Empire. It is based on the old "mitote" dance, but modified to include Catholic symbolism as a means of preserving ancient ritual. [3] [4] While the Spanish tried to eliminate as much indigenous culture as possible, total eradication was not possible. In the case of dance, that ...
Xōchipilli [ʃoːt͡ʃiˈpilːi] is the god of beauty, youth, love, passion, sex, sexuality, fertility, arts, song, music, dance, painting, writing, games, playfulness, nature, vegetation and flowers in Aztec mythology. His name contains the Nahuatl words xōchitl ("flower") and pilli (either "prince" or "child") and hence means "flower prince".
Xochipilli, subtitled "An Imagined Aztec Music", is a short composition for four wind instruments and six percussionists by the Mexican composer Carlos Chávez, written in 1940. Its original title was Xochipilli-Macuilxóchitl , which is the double name of an Aztec god in two of his aspects, meaning "Flower Prince" and "Five Flower".
Guggenheim Museum, The Aztec Empire: Catalogue of the Exhibition, Guggenheim Museum, New York. Howell, Mark (2003). "Concerning the Origin and Dissemination of the Mesoamerican Slit Drum". Music in Art: International Journal for Music Iconography. 28 (1– 2): 45– 54. ISSN 1522-7464.