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Northwest Coast art is the term commonly applied to a style of art created primarily by artists from Tlingit, Haida, Heiltsuk, Nuxalk, Tsimshian, Kwakwaka'wakw, Nuu-chah-nulth and other First Nations and Native American tribes of the Northwest Coast of North America, from pre-European-contact times up to the present.
A series of large paintings by Holm introduced Northwest Native motifs in the gallery of Northwest Coast art at the 1962 Seattle World's Fair in the Century 21 Exposition. [7] His work is cataloged in the 2000 book, Sun Dogs and Eagle Down, The Indian Paintings of Bill Holm ( ISBN 978-0295979472 ).
In the past, Western art historians have considered use of Western art media or exhibiting in international art arena as criteria for "modern" Native American art history. [47] Native American art history is a new and highly contested academic discipline, and these Eurocentric benchmarks are followed less and less today.
Yéil X̱ʼéen (Raven Screen) (detail). Attributed to Ḵaajisdu.áx̱ch, Tlingit, Kiks.ádi clan, active late 18th – early 19th century. Formline art is a feature in the Indigenous art of the Northwest Coast of North America, distinguished by the use of characteristic shapes referred to as ovoids, U forms and S forms.
The term Northwest Coast or North West Coast is used in anthropology to refer to the groups of Indigenous people residing along the coast of what is now called British Columbia, Washington State, parts of Alaska, Oregon, and Northern California. The term Pacific Northwest is largely used in the American context.
The museum states that its collection of Northwest Coast ethnographic material is the fifth largest collection of Native American art in the world, numbering 10,000 objects, among which are "the important early Swan, Eells, Emmons, and Waters collections, as well as the unmatched Blackman-Hall and Ottenberg contemporary silkscreen print ...
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