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Ethnochoreology (also dance ethnology, dance anthropology) is the study of dance through the application of a number of disciplines such as anthropology, musicology, ethnomusicology, and ethnography. The word itself is relatively recent and etymologically means "the study of ethnic dance ", though this is not exclusive of research on more ...
Ethnomusicology (from Greek ἔθνος ethnos ‘nation’ and μουσική mousike ‘music’) is the multidisciplinary study of music in its cultural context, investigating social, cognitive, biological, comparative, and other dimensions involved other than sound.
Dance theory is the philosophy underpinning contemporary dance, including formal ideologies, aesthetic concepts, and technical attributes. [1] It is a fairly new field of study, developing largely in the 20th century. It can be considered a branch of expression theory [2] and is closely related to music theory and specifically musicality. [3]
In “On Dance Ethnography”, [13] Deidre Sklar offers an application of Kealiinohomoku’s approach, exploring how an ethnographic approach to dance offers cultural context to movement. She incorporates physical movement and discovery through kinesthetic empathy as imperative research methods.
The following is a list with the most notable dances. Names of many Greek dances may be found spelt either ending with -o or with -os.This is due to the fact that the word for "dance" in Greek is a masculine noun, while the dance itself can also be referred to by a neuter adjective used substantively.
Ford sparked a national movement in the by pouring a small fortune into revitalizing square dancing in the 1920’s, decades after it was abandoned by American pop culture. He funded radio shows ...
The French school of ethnology was particularly significant for the development of the discipline, since the early 1950s. Important figures in this movement have included Lévi-Strauss, Paul Rivet, Marcel Griaule, Germaine Dieterlen, and Jean Rouch.
The Oxford Companion to Music describes three interrelated uses of the term "music theory": The first is the "rudiments", that are needed to understand music notation (key signatures, time signatures, and rhythmic notation); the second is learning scholars' views on music from antiquity to the present; the third is a sub-topic of musicology ...