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Jack Alicoate, ed. (1939), "Louisiana", Radio Annual, New York: Radio Daily, OCLC 2459636 – via Internet Archive "AM Stations in the U.S.: Louisiana", Radio Annual Television Year Book, New York: Radio Television Daily, 1963, OCLC 10512375 – via Internet Archive; Beth Norwood (1964). "French Radio Broadcasting in Louisiana". Southern Speech ...
Police radio systems historically used public radio frequencies, and listening to them was, for the most part, legal. Most modern police radio systems switched to encrypted radio systems in the 1990s and 2000s to prevent eavesdroppers from listening in.
KQID-FM (93.1 MHz, "Q93") is an American Top 40 (CHR) radio station licensed to Alexandria, Louisiana. The station serves the Central Louisiana, northern Acadiana, Natchez, Mississippi, and Monroe, Louisiana. The station is owned by Cenla Broadcasting. [2]
WWL-FM (105.3 MHz) is a commercial radio radio station licensed to Kenner, Louisiana, and serving the New Orleans metropolitan area. It is owned by Audacy, Inc. WWL-FM and sister station WWL 870 AM simulcast a News - Talk - Sports radio format. The studios and offices are in the 400 Poydras Tower in the New Orleans Central Business District.
WRNO-FM (99.5 MHz) – branded News Talk 99.5 WRNO – is a commercial radio station in New Orleans, Louisiana. It airs a news/talk format and is owned by iHeartMedia, Inc. The studios and offices are on Howard Avenue in Downtown New Orleans. WRNO-FM has an effective radiated power (ERP) of 100,000 watts, the maximum for most FM stations.
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[4] [10] Originally a college radio station, it joined NPR in the mid-1970s. Today the station serves roles as regional public radio and an international online resource. KRVS broadcasts at 100,000 watts, providing service to 651,000 residents in 12 parishes across southern Louisiana, an area referred to as Acadiana .
The station, whose original calls were KMEZ, started off in 1992 with a gold-based Urban AC format and was known on-air as "Big Eazy 102.9", only to later re-image as "Old School 102.9" in an effort to capitalize on the growing interest in the Rhythmic/Urban Oldies format.