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A History of the Lute from Antiquity to the Renaissance. Lute Society of America ISBN 0-9714071-0-X ISBN 978-0-9714071-0-7; Spring, Matthew (2001). The Lute in Britain: A History of the Instrument and its Music. Oxford University Press. Vaccaro, Jean-Michel (1981). La musique de luth en France au XVIe siècle.
See Lute, History and Evolution. The European lute and the modern Near-Eastern oud descend from a common ancestor via diverging evolutionary paths. The lute is used in a great variety of instrumental music from the Medieval to the late Baroque eras and was the most important instrument for secular music in the Renaissance. [140]
The consort song, popular in England, is considered to be closely related to the lute song. This was an earlier strophic form of music that was for a solo voice accompanied by a small group of string instruments. [1] In France, the chanson is a precursor to the lute song or air de cour. Collections of airs de cour were used in other countries ...
In addition to music by Capirola (and others — Capirola evidently transcribed several pieces by other composers for the book), the Lutebook contains a preface which is one of the most important primary sources on early 16th century lute-playing.
In 1600, Francisque published a unique collection of lute pieces: Le trésor d’Orphée, livre de tablature de luth contenant une Susane un jour, plusieurs fantaisies, préludes, passemaises, gaillardes, pavanes d’Angleterre, pavane espagnolle, fin de gaillarde, suittes de bransles tant à cordes avalées qu’austres, voltes & courantes mises par Antoine Francisque.
Two major influences on Dowland's music were popular consort songs and the dance music of the day. [13] Most of Dowland's music is for his own instrument, the lute. [14] It includes several books of solo lute works, lute songs (for one voice and lute), part-songs with lute accompaniment, and several pieces for viol consort with lute. [15]
A brief history of the lute. Richmond: Lute Society. ISBN 978-0-905655-00-0. OCLC 2965786. Harwood, Ian, "A Lecture in Musick, with the Practice thereof by Instrument in the Common Schooles, Mathew Holmes and Music at Oxford University c.1588-1627", Lute Society Journal vol. 45 pp. 1–70 (2005)
Ancient Airs and Dances (Italian: Antiche arie e danze) is a set of three orchestral suites by Italian composer Ottorino Respighi, freely transcribed from original pieces for lute. In addition to being a renowned composer and conductor, Respighi was also a notable musicologist .