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For the comparative superlative they use the words "mais" and "più" between the article and the adjective, like "most" in English. For the absolute superlative they either use "muito"/"molto" and the adjective or modify the adjective by taking away the final vowel and adding issimo (singular masculine), issima (singular feminine), íssimos ...
In general linguistics, the comparative is a syntactic construction that serves to express a comparison between two (or more) entities or groups of entities in quality or degree - see also comparison (grammar) for an overview of comparison, as well as positive and superlative degrees of comparison.
Similarly, colour terms marked as plural (e.g., the reds in the painting) are nouns while those marked as comparative (e.g., redder) or superlative (e.g., reddest) are adjectives. However, the categorization of colour terms is less clear in cases like The foliage emerged, becoming deep green as the summer unfolds.
Many adjectives, however, particularly those that are longer and less common, do not have inflected comparative and superlative forms. Instead, they can be qualified with more and most , as in beautiful, more beautiful, most beautiful (this construction is also sometimes used even for adjectives for which inflected forms do exist).
When an adjective includes two comparative markers, it is referred to as a double comparative. Examples of double comparatives include phrases such as "more louder" and "worser." The use of double comparatives is most commonly linked to specific dialects, particularly Appalachian English and African American Vernacular English.
Adjectives in -ly can form inflected comparative and superlative forms (such as friendlier, friendliest, lovelier, loveliest), but most adverbs with this ending do not (a word such as sweetly uses the periphrastic forms more sweetly, most sweetly). For more details see Adverbs and Comparison in the English grammar article.
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The distinction between inflected and periphrastic forms is usually illustrated across distinct languages. However, comparative and superlative forms of adjectives (and adverbs) in English provide a straightforward illustration of the phenomenon. [7] For many speakers, both the simple and periphrastic forms in the following table are possible:
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