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"Shipoopi" is a song in the 1957 musical The Music Man by Meredith Willson. [1] The song is sung by the character of Marcellus Washburn, a friend of con man "Professor" Harold Hill. It occurs in act 2 of the play during the dance committee's rehearsal which the town kids interrupt.
The Broadway cast recording of the 1957 musical The Music Man was released as an album by Capitol Records. The original release formats included LP, 4×EP, and reel-to-reel tape. [2] The album spent several weeks at number one on Billboard's Best Selling LPs chart. [5]
For most of the year the normal home range for skunks is 0.5 to 2 miles (1 to 3 km) in diameter, with males expanding during breeding season to travel 4 to 5 miles (6 to 8 km) per night. [8] Skunks are not true hibernators in the winter, but do den up for extended periods of time.
The Music Man, a feature film adaptation; The Music Man, a television film remake "The Music Man" (song), a song and traditional game "Music Man", song on Take a Look Around by Masta Ace; Music Man, a 1980 album by Waylon Jennings; Music Man (company), a guitar company; The Music Man, English name for the Iranian film Santouri
"Song for a Winter's Night" is a song written by Gordon Lightfoot, and first recorded for his album The Way I Feel (1967). Lightfoot recorded another version of the song for Gord's Gold (1975), a greatest hits compilation on which other re-recordings also appeared.
The Sandman is a traditional character in many children's stories and books. In Scandinavian folklore, he is said to sprinkle sand or dust on or into the eyes of children at night to bring on sleep and dreams. [1] The grit or "sleep" in one's eyes upon waking is the supposed result of the Sandman's work the previous night.
Taylor Swift is giving fans more insight into her new album “The Tortured Poets Department,” thanks to a track-by-track experience with Amazon Music. Fans can now listen to the album — which ...
[2] [10] [11] It was a song for which Paul McCartney had high hopes, but early recordings did not live up to the song's potential. [10] [11] McCartney said in 1975 of his initial opinion of the song, "It was one of the songs we’d gone in with high hopes for. Whenever I would play it on the piano, people would say ‘Oh, I like that one.’