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By chance, the main phases of Venetian painting fit rather neatly into the centuries. The glories of the 16th century were followed by a great fall-off in the 17th, but an unexpected revival in the 18th, [3] when Venetian painters enjoyed great success around Europe, as Baroque painting turned to Rococo.
Venetian painting was a major force in Italian Renaissance painting and beyond. Beginning with the work of Giovanni Bellini (c. 1430–1516) and his brother Gentile Bellini (c. 1429–1507) and their workshops, the major artists of the Venetian school included Giorgione (c. 1477–1510), Titian (c. 1489–1576), Tintoretto (1518–1594), Paolo ...
Antonio Gaspari (late 17th century), architect, student of Baldassare Longhena [9] Giuseppe Vittore Ghislandi or Fra' Galgario (1655–1743), painter, trained in Venice; Michele Giambono (c. 1400–c. 1462), painter and mosaic maker; Giorgione (c. 1477/8–1510), painter, with Titian founded the Venetian school of Renaissance Painting
This is the 16th-century genre; in the French-led 18th-century type, women are very prominent. This painting is an example of the Venetian school of Italian Renaissance art. Paintings from Venice are characterized as having rich color schemes that create a "warm glow" and emphasize naturalism above all else. Venetian paintings also have a ...
The Feast in the House of Levi or Christ in the House of Levi is a 1573 oil painting by Italian painter Paolo Veronese and one of the largest canvases of the 16th century, measuring 555 cm × 1,309 cm (18.21 ft × 42.95 ft). [1]
In The Wedding Feast at Cana, Veronese represents the water-into-wine miracle of Jesus in the grand style of the sumptuous feasts of food and music that were characteristic of 16th-century Venetian society; [3] the sacred in and among the profane world where “banquet dishes not only signify wealth, power, and sophistication, but transfer ...
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