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The Black Obelisk of Shalmaneser III is a black limestone Neo-Assyrian sculpture with many scenes in bas-relief and inscriptions. It comes from Nimrud (ancient Kalhu), in northern Iraq, and commemorates the deeds of King Shalmaneser III (reigned 858–824 BC).
The Black Obelisk is a significant artifact from his reign. It is a black limestone, bas-relief sculpture from Nimrud (ancient Kalhu), in northern Iraq. It is the most complete Assyrian obelisk yet discovered, and is historically significant because it displays the earliest ancient depiction of an Israelite. On the top and the bottom of the ...
The Black and Rassam Obelisks were both set up in what seems to have been the central square in the citadel of Nimrud, presumably a very public space, and the White in Nineveh. All record much the same types of scenes as the narrative sections of wall-relief, and the gates. The Black Obelisk concentrates on scenes of the bringing of tribute ...
Also in the British Museum is the famous Black Obelisk of Shalmaneser III, discovered by Layard in 1846. This stands six-and-a-half-feet tall and commemorates with inscriptions and 24 relief panels the king's victorious campaigns of 859–824 BC. It is shaped like a temple tower at the top, ending in three steps. [36]
The White Obelisk is a large stone monolith found at the ancient Assyrian settlement of Nineveh, northern Iraq. Excavated by the British archaeologist Hormuzd Rassam in 1853, it is one of only two intact obelisks to survive from the Assyrian empire, the other being the Black Obelisk of Shalmaneser III. Both are now preserved in the British ...
Today, many of the reliefs and sculptures from the excavations in Nimrud are displayed in the galleries of the British Museum, London, including the Statue of Ashurnasirpal II and the Black Obelisk by his son Shalmaneser III, with other reliefs on display in museums in Europe (e.g. Munich), Japan and the USA.
Relief is the usual sculptural medium for large figure groups and narrative subjects, which are difficult to accomplish in the round, and is the typical technique used both for architectural sculpture, which is attached to buildings, and for small-scale sculpture decorating other objects, as in much pottery, metalwork and jewellery.
Stone stelae, votive offerings, or ones probably commemorating victories and showing feasts, are also found from temples, which unlike more official ones lack inscriptions that would explain them; [4] the fragmentary Stele of the Vultures is an early example of the inscribed type, [5] and the Assyrian Black Obelisk of Shalmaneser III a large ...