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The depiction of winter landscapes in Western art begins in the 15th century, as does landscape painting in general. Wintry and snowy landscapes are very rarely seen in earlier European painting since most of the subjects were religious. Gold ground paintings had no painted backgrounds and other narrative scenes had highly stylized trees and ...
Influenced by the work of art historian Charles Moffett and curated by Eliza Rathbone, Impressionists in Winter was sponsored by J.P. Morgan & Co. and opened in 1998 at The Phillips Collection art museum in Washington, D.C. In 1999, the exhibition appeared at the Yerba Buena Center for the Arts in San Francisco and the Brooklyn Museum in New ...
Seattle Art Museum, Washington Tamaca Palms: 1854: Oil on canvas: 68 × 91.4 cm: National Gallery of Art, Washington, DC: Cotopaxi: 1855: Oil on canvas: 71.12 × 107 cm: Smithsonian American Art Museum, Washington, D.C. The Andes of Ecuador: 1855: Oil on canvas: 121.9 cm × 194.3 cm: Reynolda House Museum of American Art, Winston-Salem, North ...
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The painting depicts leafless trees in the winter snow, with the tops of two of the trees broken off and the third bent by the prevailing wind, giving the work a haunted, spectral air. It is a Romantic allegorical landscape, depicting a stone cairn or dolmen set amid three oak trees on a hilltop, with a contemplative melancholy mood.
Freer Gallery of Art, Washington, D.C. Autumn: Freer Gallery of Art, Washington, D.C. Morning: Sunset at Sea: Oil on wood panel 1889 Freer Gallery of Art, Washington, D.C. A Winter Afternoon: ca.1892 Private collection December—A Salt Marsh [248] 1892 Thomas Colville Fine Art, Guilford, Connecticut Ex collection: Smith College Museum of Art ...
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