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Desperado: The Soundtrack is the film score to Robert Rodriguez’s Desperado.It was written and performed by the Los Angeles rock bands Los Lobos and Tito & Tarantula, performing traditional Ranchera and Chicano rock music.
Desperado is a 1995 American neo-Western action film written, co-produced, edited and directed by Robert Rodriguez.It is the second part of Rodriguez's Mexico Trilogy.It stars Antonio Banderas as El Mariachi who seeks revenge on the drug lord who killed his lover.
Junto a la birria con el mariachi Que en los parianes y alfarerias Suena con triste melancolia. Ay ay ay ay! Laguna de Chapala. Tienes de un cuento la magia, Cuento de ocasos y de alboradas, De enamoradas noches lunadas, Quieta, Chapala, es tu laguna, Novia romántica como ninguna. Ay ay ay ay! Zapopitan del alma, Nunca escuché otras campanas
El Mariachi received universal critical acclaim. [16] Review aggregator website Rotten Tomatoes shows a 91% score based on 75 reviews, and an average rating of 6.9/10. The site's consensus states: "Made on a shoestring budget, El Mariachi 's story is not new. However, the movie has so much energy that it's thoroughly enjoyable."
"Allá en el Rancho Grande" is a Mexican song. It was written in the 1920s for a musical theatrical work, but now is most commonly associated with the eponymous 1936 Mexican motion picture Allá en el Rancho Grande, [1] in which it was sung by renowned actor and singer Tito Guízar [2] and with mariachis.
New York Rangers forward Matt Rempe was suspended for eight games by NHL’s Department of Player Safety on Sunday for boarding and elbowing Dallas Stars defenseman Miro Heiskanen on Friday night.
Her assailant strangled her nearly unconscious twice. Morgan Metzer: It's the worst feeling in the world to think you're dying. And you feel like you're going to be tortured beforehand.
The song envisions a romance between the Mexican state of Jalisco and its capital city of Guadalajara. [3] In their book Writing Across Cultures: Narrative Transculturation in Latin America, Ángel Rama and David Frye posit that the song portrays the common stereotype of Jalisco being "a paradigm of 'Mexicanness'.