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"The Wind" shows great inventiveness in its choice of metaphors and similes, while employing extreme metrical complexity. [9] It is one of the classic examples [10] [11] of the use of what has been called "a guessing game technique" [12] or "riddling", [13] a technique known in Welsh as dyfalu, comprising the stringing together of imaginative and hyperbolic similes and metaphors.
The name refers to the bird's ability to hover in midair while hunting prey. In the poem, the narrator admires the bird as it hovers in the air, suggesting that it controls the wind as a man may control a horse. The bird then suddenly swoops downwards and "rebuffed the big wind". The bird can be viewed as a metaphor for Christ or of divine ...
Its laser noise may sound threatening, but its beautiful tail and pleasant chirping show it means no harm. Wen Hao Lee told StoryFul that the "lyrebird was the most amazing songbird I had ever ...
The poem uses Parole in libertà (words in freedom; creative typography) and other poetic impressions of the events of the battle, including the sounds of gunfire and explosions. The work is now seen as a seminal work of modernist art , and an enormous influence on the emerging culture of European avant-garde print.
Famous examples inspired by bird song include the 1177 Persian poem "The Conference of the Birds", in which the birds of the world assemble under the wisest bird, the hoopoe, to decide who is to be their king. [161] In English poetry, John Keats's 1819 "Ode to a Nightingale" and Percy Bysshe Shelley's 1820 "To a Skylark" are popular classics.
[14] [15] The three lights of the windows refer to three of her hymns and show corresponding scenes: "Once in Royal David's City", "There Is a Green Hill Far Away", and "The Golden Gates Are Lifted Up". The Alexanders' former Strabane home, Milltown House, later became Strabane Grammar School, and their residence there is commemorated with a ...
Taxon Type Named for Notes Ref Gigantactis gargantua Bertelsen, Pietsch & Lavenberg, 1981: Anglerfish: Gargantua [18]†Gargantuavis Buffetaut & Le Loeuff, 1998 Bird: Gargantua: A genus of fossil flightless birds from the Cretaceous of Europe, and the largest known birds of the Mesozoic era; "generic name from Gargantua, the giant of French folklore made famous by François Rabelais, and avis ...
Tennyson's use of alliteration in the words clasps, crag and crooked (/k/) in the first line is meant to sound like a melody and makes it harder to pass over. [6] This technique makes a reader stop and consider the meaning of the line; this also draws attention to the eagle, making it seem even more important than just a bird.