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Wiener Neustadt Cathedral, Wiener Neustadt 1623 c. Sculpture Bronze 22 [26] Two Angels in Sant'Agostino: Basilica of Sant'Agostino, Rome 1626–1628 Sculpture Marble Life-size 23 [27] Bust of Francesco Barberini: National Gallery of Art, Washington, D.C. 1626 Sculpture Marble Height 80 cm (31 in) 24(a) [28] Bust of Camilla Barbadoni
Siena Cathedral façade Gargoyles and Saints on façade. The façade of Siena Cathedral is one of the most fascinating in all of Italy and certainly one of the most impressive features in Siena. [6] Each of the cardinal points (west, east, north, and south) has its own distinct work; by far the most impressive of these is the west façade.
Holy Family with Angels – National Gallery of Art, Washington, DC [25] Holy Family and St. John – Alte Pinakothek, Munich [26] Statues of Angels (1548–1550) – Presbytery of Siena Cathedral [27] Judith with the Head of Holofernes – The Wallace Collection, London. Drawing of Abraham [3] St. Peter [28] – Woodcut, Cleveland Museum of Art
Jewelry Trades Building is made of steel-framed concrete with a terra cotta facade and features a Romanesque design that includes heavy cornice and arched windows. [1] [2] The interior is finished in Italian marble, plate glass, and oak, and features wide corridors meant to resemble a street.
Giovanni's next work was at Pisa Cathedral, sculpting the statues in the two rows of traceried gables at the exterior of the Baptistry (1277–1284). The vivacity of these statues is a new confirmation that he had left the serene style of his father behind. Between 1287 and 1296 he was appointed chief architect of Siena Cathedral. The ...
Metropolitan Museum of Art, New York Marble height 97 cm Venus and Cupid (in Italian) c. 1491–1492: Palazzo Medici-Riccardi, Florence Marble 43,5x58 cm Gallino Crucifix (in Italian) c. 1495–1497: Bargello Museum, Florence Wood 41,3×39,7 cm Young Saint John the Baptist [5] c. 1495–1497: Sacred Chapel of El Salvador, Úbeda: Marble
Good Mother Gallery recently opened its Los Angeles arm near the 6th Street Bridge after starting in Oakland in 2014 with a community-centric ethos.
The reliquary of the Santo Corporale is considered to be one of the most important 14th century metal works from Siena. [2] It is a gothic miniature inspired by northern European models showing the facade of the Orvieto Cathedral. The reliquary contains three vertical sections like the cathedral facade, but its typanum are much more acute.
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