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Siena Cathedral façade Gargoyles and Saints on façade. The façade of Siena Cathedral is one of the most fascinating in all of Italy and certainly one of the most impressive features in Siena. [6] Each of the cardinal points (west, east, north, and south) has its own distinct work; by far the most impressive of these is the west façade.
It houses works of art and architectural fragments that were formerly in, or a part of, the Duomo of Siena (Siena Cathedral). These include a number of Italian Gothic sculptures by Giovanni Pisano and his school from the façade of the cathedral; the Maestà of Duccio di Boninsegna , which was the altarpiece from about 1311 until 1505 [ 1 ...
Wiener Neustadt Cathedral, Wiener Neustadt 1623 c. Sculpture Bronze 22 [26] Two Angels in Sant'Agostino: Basilica of Sant'Agostino, Rome 1626–1628 Sculpture Marble Life-size 23 [27] Bust of Francesco Barberini: National Gallery of Art, Washington, D.C. 1626 Sculpture Marble Height 80 cm (31 in) 24(a) [28] Bust of Camilla Barbadoni
MAMA Gallery; Marciano Art Foundation; Martial Arts History Museum; Materials & Applications; The Merry Karnowsky Gallery; Millard Sheets Center for the Arts; Riko Mizuno; Museum of Contemporary Art, Los Angeles; Morán Morán; Museum of Jurassic Technology
Presentation of Mary in the Temple, tempera and gold on wood by Bartolo di Fredi, c. 1360, Honolulu Museum of Art. Bartolo di Fredi (c. 1330 – 26 January 1410), also called Bartolo Battiloro, was an Italian painter, born in Siena, classified as a member of the Sienese School.
His most famous work is "The Communion of Saints", a series of tapestry panels in the interior of the Cathedral of Our Lady of the Angels in Los Angeles. [ 2 ] [ 3 ] Career
The Los Angeles Municipal Art Gallery (LAMAG) is a 10,000-square-foot (930 m 2) venue that offers exhibition space for large, thematic group exhibitions that are representative of the current endeavors of area artists, and major retrospective exhibitions of work by individuals who have made an extraordinary contribution and impact on art in Los Angeles.
In 1435 he was knighted and given the important position of Operaio of the cathedral. In his final years, he was also involved in the decoration of the chapel of Saint Sebastian (destroyed in 1645) for the cardinal Casini in the cathedral of Siena, but, as part of a relief of the cardinal, most works were done by his Siena workshop.
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