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Giant Steps is a studio album by the jazz musician John Coltrane. It was released in February 1960 through Atlantic Records. [1] [2] [4] This was Coltrane's first album as leader for the label, with which he had signed a new contract the previous year. The record is regarded as one of the most influential jazz albums of all time.
"Giant Steps" is a jazz composition by American saxophonist John Coltrane. [1] It was first recorded in 1959 and released on the 1960 album Giant Steps. [2] The composition features a cyclic chord pattern that has come to be known as Coltrane changes. The composition has become a jazz standard, covered by many artists.
Giant Steps (subtitled In Memory of John Coltrane) is an album by pianist Tommy Flanagan recorded in 1982 featuring compositions by John Coltrane. [1] [2] Reception
"Naima" (/ n aɪ ˈ iː m ə / ny-EE-mə) is a jazz ballad composed by John Coltrane in 1959 that he named after his then-wife, Juanita Naima Grubbs. Coltrane first recorded it for his 1959 album Giant Steps, and it became one of his first well-known works.
"Mr. P.C." is a twelve-bar jazz piece in minor blues form, composed by John Coltrane in 1959. The song is named in tribute to the bass player Paul Chambers, [1] who had accompanied Coltrane for years. It first appeared on the album Giant Steps, where it was played with a fast swing feel. [2]
At the end of this period, Coltrane recorded Giant Steps (1960), his first released album as leader for Atlantic that contained only his compositions. [37] The album's title track is generally considered to have one of the most difficult chord progressions of any widely played jazz composition, [38] eventually referred to as Coltrane changes. [39]
"Giant Steps" 1959: John Coltrane "Third Rail" [5] Michael Brecker "I Got Rhythm" (different bridge) 1930 George Gershwin "Tide"" [citation needed] 1970: Antônio ...
The "Giant Steps" cycle is the culmination of Coltrane's theories applied to a completely new chord progression. Coltrane uses the cycle in descending major third tonal transpositions in the opening bars and then ascending ii–V–I progressions separated by a major third in the second section of "Giant Steps".