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Screaming, the creature runs off into the darkness and the man eats the tail, either raw or in stew. On the brink of sleep, a rustling and clawing wakes the man. Sitting up, the hermit is able to see the gleaming eyes of the Tailypo leering at him from the foot of his bed. In an otherworldly voice, the creature demands the return of its "tailypo".
The Capelobo has two forms, an animal form and a humanoid form. In its animal form, it is like a tapir with attributes of a dog. In its humanoid form, it has the head of a giant anteater (or a tapir or dog, depending on the version of the myth), the body of a human, and rounded, bottle-shaped legs.
It has no direct connection to the Gashadokuro, but is said to have influenced modern depictions. Kuniyoshi's print was commissioned in the Edo period by Santō Kyōden for a yomihon, depicting a scene in which Taira no Masakado's daughter, Takiyasha-hime, summons a skeleton yōkai to attack the samurai Ooya Tarou Mitsukuni. Although originally ...
Animated skeletons in The Dance of Death (1493), a woodcut by Michael Wolgemut, from the Liber chronicarum by Hartmann Schedel.. A skeleton is a type of physically manifested undead often found in fantasy, gothic, and horror fiction, as well as mythology, folklore, and various kinds of art.
Invertebrates vary widely in size, from 10 μm (0.0004 in) [3] myxozoans to the 9–10 m (30–33 ft) colossal squid. [ 4 ] Some so-called invertebrates, such as the Tunicata and Cephalochordata , are actually sister chordate subphyla to Vertebrata, being more closely related to vertebrates than to other invertebrates.
[10] [11] The dragonborn were introduced to the core rules in an attempt to reflect contemporary trends in fantasy fiction and appeal to newer players. [12] [13] In addition, it reflected a perception among the game's designers that it should be possible to play dragon-like creatures in a game with "Dragons" in the title.
Aelian as well uses the term onokentaura for description of the female form. [2] He interpreted the onocentaur as: "its body resembles that of an ass, its colour is ashen but inclines to white beneath the flanks. It has a human chest with teats and a human face surrounded by thick hair. It may use its arms to seize and hold things but also to run.
The word dhampir is an Albanian word which in turn is borrowed from Serbo-Croat vampír or its Bulgarian equivalent. [2] The shift v > dh is a feature of Gheg Albanian, [3] [4] but it could also have been encouraged by a folk etymology, connecting it with the Albanian words dhamb 'tooth' and pir 'to drink'.
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