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Anationalism; Anti-nationalism; Anti-globalization movement; Anti-imperialism; Banal nationalism; Civil religion; Communitarianism; Cosmopolitanism; Cultural nationalism
The Dark Side of the Heart (Spanish: El lado oscuro del corazón) is a 1992 Argentine surrealist romantic drama film written and directed by Eliseo Subiela. [1] The film was selected as the Argentine entry for the Best Foreign Language Film at the 65th Academy Awards , but was not accepted as a nominee.
The Incredible and Sad Tale of Innocent Eréndira and Her Heartless Grandmother (Spanish: La increíble y triste historia de la cándida Eréndira y de su abuela desalmada) presents the story of a young mulatto girl who dreams of freedom, but cannot escape the reach of her avaricious grandmother.
Sacred Heart of Jesus, Church of Saint-Gervais-et-Saint-Protais, Paris, France The Most Sacred Heart of Jesus (Latin: Cor Jesu Sacratissimum) is one of the most widely practised and well-known Catholic devotions, wherein the heart of Jesus Christ is viewed as a symbol of "God's boundless and passionate love for mankind". [1]
Secrets of the Heart (Spanish: Secretos del corazón) is a 1997 Spanish film. The film was a box office hit in Spain, grossing ESP 711,092,434. It was nominated for the Academy Award for Best Foreign Language Film at the 70th Academy Awards. [1]
Un gancho al corazón was released on DVD on October 5, 2010. [8] Danna García and Sebastián Rulli star in the lead roles, while Laisha Wilkins, Roberto Blandón, Agustín Arana and Macaria starred as antagonists. Raúl Araiza, Margarita Magaña and Ana Martin starred as stellar performances.
"Corazón Sin Cara" (transl. "Love is Blind," literally "Heart Without a Face") is a bachata song by American singer-songwriter Prince Royce. It was written and composed by Prince Royce, and produced by Andrés Hidalgo and Sergio George. The song's lyrical content deals with the self-esteem of girls and their appearance.
Produced by Antena 3 Films in collaboration with Globomedia [], [2] El corazón del océano is an adaptation of the novel of the same name by Elvira Menéndez []. [7] The screenplay was written by Manuel Valdivia together with Pablo Barrera, Chus Vallejo, César Vidal Gil and Elena González de Sande. [7]