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Scholars have attempted to reconstruct the phonology of Old Chinese from documentary evidence. Although the writing system does not describe sounds directly, shared phonetic components of the most ancient Chinese characters are believed to link words that were pronounced similarly at that time.
Historical Chinese phonology deals with reconstructing the sounds of Chinese from the past. As Chinese is written with logographic characters, not alphabetic or syllabary, the methods employed in Historical Chinese phonology differ considerably from those employed in, for example, Indo-European linguistics; reconstruction is more difficult because, unlike Indo-European languages, no phonetic ...
Old Chinese, also called Archaic Chinese in older works, is the oldest attested stage of Chinese, and the ancestor of all modern varieties of Chinese. [ a ] The earliest examples of Chinese are divinatory inscriptions on oracle bones from around 1250 BC, in the Late Shang period.
some English phoneticians and phonologists use acute and grave accents as primary and secondary stress symbols. Some linguists [14] use the circumflex as weakened primary stress in compound words and the breve as no stress. these symbols are also written on the English spellings not just other IPA symbols. ̩, ̍: Vertical line below or above ...
A rime table or rhyme table (simplified Chinese: 韵图; traditional Chinese: 韻圖; pinyin: yùntú; Wade–Giles: yün-t'u) is a Chinese phonological model, tabulating the syllables of the series of rime dictionaries beginning with the Qieyun (601) by their onsets, rhyme groups, tones and other properties.
"Old Chinese was a toneless language. Tones arose between Old Chinese and Early Middle Chinese (that is between 500 BCE and 500 CE) as a result of the loss of final laryngeals." The four tones of Middle Chinese, 平 píng level, 上 shǎng rising, 去 qù departing, and 入 rù entering, all
A xiesheng (Chinese: 諧聲; pinyin: xiéshēng; lit. 'harmonious sound') or phonological series is a set of Chinese characters sharing the same sound-based element. [1] Characters belonging to these series are generally phono-semantic compounds , where the character is composed of a semantic element (or radical ) and a sound-based element ...
Chinese makes frequent use of particles to express certain meanings such as doubt, query, command, etc., reducing the need to use intonation. However, intonation is still present in Chinese (expressing meanings rather similarly as in standard English), although there are varying analyses of how it interacts with the lexical tones.