Search results
Results from the WOW.Com Content Network
Romita was working at the New York City company Forbes Lithograph in 1949, earning $30 a week, when comic book inker Lester Zakarin, [16] a friend from high school whom he ran into on a subway train, offered him either $17 [17] or $20 [14] a page to pencil a 10-page story, possibly a crime comic about 1920s mobsters, [11] for him as an uncredited ghost artist.
Peter Parker: Spider-Man vol. 2 #13 (2000) Secret Invasion: Who Do You Trust #1 (2008) The Sensational Spider-Man vol. 2 #38 (2007) Shadows & Light #2 (1998) Solo Avengers #10 (Doctor Druid) (1988) Spider-Man #34 (1993) Spider-Man's Tangled Web #7–9 (2001–2002) Spider-Man: Death and Destiny #1–3 (2000–2001) Spider-Man: The Mysterio ...
John Romita Jr. was born August 17, 1956, [2] the son of Virginia (Bruno) and comic book artist John Romita Sr., one of the signature Spider-Man artists since the 1960s. [3] [4] He studied advertising art and design at Farmingdale State College in East Farmingdale, New York, graduating in 1976.
In fact, the only drawings of Spider-Man were on the splash [i.e., page 1] and at the end [where] Kirby had the guy leaping at you with a web gun... Anyway, the first five pages took place in the home, and the kid finds a ring and turns into Spider-Man." [35] Ditko also recalled that, "One of the first things I did was to work up a costume. A ...
Allen L. Milgrom [1] (born March 6, 1950) [2] is an American comic book writer, penciller, inker and editor, primarily for Marvel Comics.He is known for his 10-year run as editor of Marvel Fanfare; his long involvement as writer, penciler, and inker on Peter Parker, The Spectacular Spider-Man; his four-year tenure as West Coast Avengers penciller; and his long stint as the inker of X-Factor.
Sal Buscema (/ b j uː ˈ s ɛ m ə / bew-SEM-ə; born Silvio Buscema, [1] Italian: [ˈsilvjo buʃˈʃɛːma], on January 26, 1936) [2] is an American comics artist, primarily for Marvel Comics, where he had a ten-year run as artist of The Incredible Hulk and an eight-year run as artist of The Spectacular Spider-Man.
This issue's lead feature introduced the superhero Spider-Man, written by Lee and drawn by Ditko, although Lee rejected Ditko's cover art and commissioned Jack Kirby to pencil a cover that Ditko inked. [3] As Lee explained in 2010: "I think I had Jack sketch out a cover for it because I always had a lot of confidence in Jack's covers". [4]
His accomplishments include co-creating, with letterer Artie Simek, the long-familiar logo of The Amazing Spider-Man, [4] [a] as well as other Marvel logos still in use in the mid-2000s. He was belatedly credited after decades as the inker of Jack Kirby's pencil art for The Fantastic Four #3–4 (March–May 1962) and many other landmark comics.