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The Portrait of Pope Leo X with two Cardinals, also known as Portrait of Pope Leo X with the cardinals Giulio de' Medici e Luigi de' Rossi (Italian: Ritratto di Leone X con i cardinali Giulio de' Medici e Luigi de' Rossi), is a painting by the Italian High Renaissance master Raphael, executed c. 1518-1520.
Detail of The Coronation of Charlemagne by Raphael's workshop (1516–17), in which Leo X served in fact as a model for the figure of Leo III [29] Leo X's love for all forms of art stemmed from the humanistic education he received in Florence , his studies in Pisa and his extensive travel throughout Europe when a youth.
60 x 40 c. 1518: Portrait of Lorenzo de' Medici, Duke of Urbino: Private collection Oil on canvas 97.2 × 79.4 c. 1518: Pope Leo X with Cardinals Giulio de' Medici and Luigi de' Rossi: Uffizi, Florence, Italy: Tempera on panel 155,5 x 119,5 c. 1518: The Pearl [5] Museo del Prado, Madrid, Spain Oil on panel 147,4 x 116 1518–1519: Self-portrait ...
Raffaello Sanzio (Raphael) Madonna of Divine Love: 1517–1518 Raffaello Sanzio (Raphael) Moses before the burning bush: c.1514 Andrea del Sarto: Study of Figure genuflecting turning to left: 1528–30 Andrea del Sarto: Madonna with Child & young St. John & angels: post 1518 Andrea del Sarto: Portrait of Leo X with two cardinals: −1525 Carlo ...
Raphael, Madonna of the Grand Duke; Raphael, The Madonna of the Chair; Raphael, Portrait of Pope Leo X and two Cardinals; Raphael, companion portraits of Agnolo Doni and his wife, Maddelena Doni, for whom Michelangelo's Doni Tondo was commissioned. Andrea del Sarto, The Young John the Baptist; Andrea del Sarto, Disputation on the Holy Trinity
The death of Julius in 1513 did not interrupt the work at all, as he was succeeded by Raphael's last pope, the Medici Pope Leo X, with whom Raphael formed an even closer relationship, and who continued to commission him. [40] Raphael's friend Cardinal Bibbiena was also one of Leo's old tutors, and a close friend and advisor.
A fully developed drawing by Raphael indicates he planned to place the pope – portrayed with Julius's features – in the background; when Leo X became pope – and just happened to choose the name Leo – he must have encouraged the artist to bring the pope front and center and use his own portrait. [5]
Portrait of Leo X (Raphael) Portrait of Perugino; S. Self-portrait (Raphael) Y. Young Man with an Apple (Raphael) This page was last edited on 8 October 2021, at 06: ...