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The Graveyard School is an indefinite literary grouping that binds together a wide variety of authors; what makes a poem a "graveyard" poem remains open to critical dispute. At its narrowest, the term "Graveyard School" refers to four poems: Thomas Gray's " Elegy Written in a Country Churchyard ", Thomas Parnell's "Night-Piece on Death", Robert ...
Tone and mood are not the same. The tone of a piece of literature is the speaker's or narrator's attitude towards the subject, rather than what the reader feels, as in mood. Mood is the general feeling or atmosphere that a piece of writing creates within the reader. Mood is produced most effectively through the use of setting, theme, voice and
The mood and the depiction of the subjects is reminiscent of the musicians and circus performers in Paris, although it does not represent the joie de vivre of the young couple but rather their concerns and their problems. The same opposition appears in the gay combination of colors -- a boldly painted goat in blue, and the cow in red -- paired ...
In literature and other artistic media, a mode is an unspecific critical term usually designating a broad but identifiable kind of literary method, mood, or manner that is not tied exclusively to a particular form or genre. Examples are the satiric mode, the ironic, the comic, the pastoral, and the didactic. [1]
At the beginning of his literary career, Carlyle worked to develop his own style, cultivating one of intense energy and visualisation, characterised not by "balance, gravity, and composure" but "imbalance, excess, and excitement." [5] Even in his early anonymous periodical essays his writing distinguished him from his contemporaries.
He chooses mathnavi [rhyming couplet genre] to set the mood with an expression reminiscent of Nizami. His poetry runs to 3,000 couplets, in the composition of which he exercises the utmost precision and through a diversity of rhymes crafted in a multiplicity of couplets, he provides inventive imagery stemming from the interaction of his ...
It’s a great read, which, although typically 1950’s pulp and thus unlikely to blaze a trail through SF fiction, is entertaining enough to hold interest and make me want me to read more. Surprisingly reminiscent of early Poul Anderson for its literacy and often melancholic mood, this is an old gem that’s worth a read." [4]
Sentimentalism in philosophy and sentimentalism in literature are sometimes hard to distinguish. [citation needed] As the philosophical arguments developed, the literature soon tried to emulate by putting the philosophical into practice through narration and characters. As a result, it is common to observe both philosophical and literary ...