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"Gracias a Dios" (English: "Thanks God") is a song written by Mexican singer-songwriter Juan Gabriel and recorded by Thalía. It was released as the fifth [ 1 ] single from Thalía's fourth studio album En éxtasis (1995).
The Billboard Hot Latin Songs and Latin Airplay are charts that rank the best-performing Latin songs in the United States and are both published weekly by Billboard magazine. . The Hot Latin Songs ranks the best-performing Spanish-language songs in the country based digital downloads, streaming, and airplay from all radio stations.
Issue date Song Artist(s) Ref. January 3 "Me Cansé De Ti" Obie Bermúdez [1]January 10 "Mientes Tan Bien" Sin Bandera [2]January 17 [3]January 24 "Me Cansé De Ti" Obie Bermudez
Grupo Frontera wins Best Norteño Album for “El Comienzo” at the 25th Latin Grammy Awards. Frontera also won Best Regional Song for “El Amor de Su Vida”. This achievement marks a significant milestone in their career and further solidifies their presence as a prominent group of talented artists in the Regional Mexican music scene.
Puerto Rican singer Chayanne reached the top of the chart for the first time with "Fuiste un Trozo de Hielo en la Escarcha" in 1989.. The Hot Latin Songs chart (formerly Hot Latin 50 and Hot Latin Tracks), [1] published in Billboard magazine, is a record chart based on Latin music airplay.
Gracias Por Estar Aquí (Eng.: "Thank You For Being Here") is the tenth studio album by Mexican singer-songwriter Marco Antonio Solís. It was released by Universal Music Latino on October 22, 2013 (see 2013 in music). Gracias Por Estar Aquí reached number one on the Billboard Top Latin Albums chart in the United States.
This is a list of the songs that reached number one in Mexico in 1983, according to the Notitas Musicales magazine with data provided by Radio Mil [1] (which also provided charts for Billboard's "Hits of the World" between 1969 and 1981).
The following year-end charts were elaborated by Mejía Barquera, based on weekly charts that were published on the magazine Selecciones musicales as compiled on Roberto Ayala's 1962 book "Musicosas: manual del comentarista de radio y televisión"; those charts were, according to Ayala, based on record sales, jukebox plays, radio and television airplay, and sheet music sales [a]. [6]