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Nikon 1 V1 with Nikkor VR 10-100mm f/4.5-5.6 PD-Zoom and ME-1 stereo microphone in HD-video use The Nikon 1 Nikkor VR 10-100 mm f/4.5-5.6 PD-Zoom for the 1 series' unique CX format ( crop factor 2.7) is a Superzoom lens manufactured by Nikon , introduced in September 2011 for use on Nikon CX format mirrorless interchangeable-lens cameras .
Samsung NX 60mm F2.8 Macro ED OIS SSA; Sigma 105mm f/2.8 EX DG lens; Sigma 150mm f/2.8 APO Macro EX DG HSM lens; Sigma 180mm f/3.5 EX DG lens; Sony E 30mm F3.5 Macro; Sony FE 50mm F2.8 Macro; Sony FE 90mm F2.8 Macro G OSS; Sony α Macro 50mm f/2.8; Sony α Macro 100mm f/2.8
Given its unusually high 1:4 (0.25x) image reproduction ratio, the 100mm GM lens can be considered a pseudo-macro lens. Though designed for Sony's full frame E-mount cameras, the lens can be used on Sony's APS-C E-mount camera bodies, with an equivalent full-frame field-of-view of 150mm. Photo taken with a Sony FE 100mm F2.8 STF GM OSS lens
Increasingly, macro photography is accomplished using compact digital cameras and small-sensor bridge cameras, combined with a high powered zoom lens and (optionally) a close-up diopter lens added to the front of the camera lens. The deep depth of field of these cameras is an advantage for macro work.
The Nikon 105mm f / 2.8G IF-ED AF-S VR is a macro prime lens produced by Nikon Corporation. It is compatible with FX sized sensors as well as DX format . Introduction
There are two primary categories of virtual reality (VR) headsets: Standalone – devices that have all necessary components to provide virtual reality experiences integrated into the headset. Mainstream standalone VR platforms include: Oculus Mobile SDK, developed by Oculus VR for its own standalone headsets and the Samsung Gear VR.
The Canon EF 100 mm f / 2.8 Macro USM lens. The EF 100 mm f / 2.8 Macro USM lens is a prime lens made by Canon Inc. It is of the EF lens mount that fits the EOS camera system. There are three versions, the original, a second that adds a USM autofocus motor, and a recently released L series version that incorporates Image Stabilization (IS).
The camera was an Olympus or Nikon CoolPix camera and the lenses used were the Nikon FC-E8 or FC-E9 fish-eye lens. The IPiX 360 camera system enabled photographers to capture a full 360 X 360 floor to ceiling view of any scene with just 4 shots as opposed to the more time-consuming 8, 10, or 12-shot rectilinear produced panoramas described above.
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