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Linda is a Hungarian action adventure series that aired on Hungarian television from 1984–1989 and was created by György Gát. [1] [2]The first season was broadcast by Magyar Televízió from 1984, the second from 1986, and the third from 1989.
The Gorgon (Italian: La Gorgona) is a 1942 Italian historical drama film directed by Guido Brignone and starring Mariella Lotti, Rossano Brazzi and Camillo Pilotto. [1] It was adapted from the play by Sem Benelli and is set in the Republic of Pisa during the eleventh century. It was shot at the Scalera Studios in Rome.
العربية; Aragonés; Azərbaycanca; تۆرکجه; বাংলা; Беларуская; Беларуская (тарашкевіца) Български
Ádám Magyar: Animation: First freely downloadable computer animated 3D feature-film Iszka utazása: Csaba Bollók: Mária Varga, Marian Ursache: A Nap utcai fiúk: György Szomjas: Kata Gáspár, Péter Bárnai: Ópium – Egy elmebeteg nő naplója: János Szász: Ulrich Thomsen, Kirsti Stuboe: Entered into the 29th Moscow International Film ...
Listed to compete at the 1968 Cannes Film Festival: A beszélő köntös: Tamás Fejér: István Iglódi, Antal Páger: Agitátorok : Dezső Magyar: Gábor Bódy, Tamás Szentjóby, György Cserhalmi: Banned after release Fényes szelek: Miklós Jancsó: Hosszú futásodra mindig számíthatunk: Gyula Gazdag: Isten hozta, őrnagy úr: Zoltán ...
This is a list collecting the most notable films produced in Hungary and in the Hungarian language during 1901–1948.. While the first years of the Hungarian cinema were in its infancy with mostly experimental films and short comedic sketches mostly conducted by enterprising hobbyists, by 1940 a large industry grew out of their footsteps, with famed film star idols and film studios.
Duna TV's membership in the European Broadcasting Union (EBU) was elevated from approved participant to active status in 2014 following the establishment of an agreement between the EBU, Hungarian public service broadcasters, and MTVA that enabled the EBU to treat Duna TV, Magyar Televízió, and Magyar Rádió as a single unit for membership ...
The Monthly Film Bulletin wrote: "The Gorgon myth does not fit happily into Transylvanian surroundings, and there are too many red-herrings indicative of the script's straining after horrific effect (the mad woman, the brain transplantation, etc.). The trouble is that one is never really in doubt as to who the Gorgon is.